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Padma Purana — Bhumi Khanda, Shloka 143

Pitṛmātṛtīrtha Greatness & the Discourse on Embodiment: Karma, Birth, Impurity, and Dispassion

न नरः शोचयेज्जन्म न विरज्यति तेन वै । अत्याहारान्महद्दुःखमल्पाहारात्तदंतरम्

na naraḥ śocayejjanma na virajyati tena vai | atyāhārānmahadduḥkhamalpāhārāttadaṃtaram

آدمی کو اپنے جنم پر ماتم نہیں کرنا چاہیے، نہ اسی سبب سے بےرغبت ہونا چاہیے۔ زیادہ کھانے سے بڑا دکھ ہوتا ہے؛ کم کھانے سے وہ دکھ نسبتاً کم رہتا ہے۔

nanot
na:
Sambandha (Discourse particle/सम्बन्ध)
TypeIndeclinable
Rootna (अव्यय)
Formनिषेधार्थक-अव्यय (negative particle)
naraḥa man
naraḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootnara (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन
śocayetshould lament
śocayet:
Kriya (Predicate/क्रिया)
TypeVerb
Rootśuc (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष, एकवचन
janmabirth
janma:
Karma (Object/कर्म)
TypeNoun
Rootjanman (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
nanot
na:
Sambandha (Discourse particle/सम्बन्ध)
TypeIndeclinable
Rootna (अव्यय)
Formनिषेधार्थक-अव्यय (negative particle)
virajyatibecomes dispassionate / is detached
virajyati:
Kriya (Predicate/क्रिया)
TypeVerb
Rootvi√rañj / vi√raj (धातु)
Formलट् (Present), आत्मनेपद, प्रथमपुरुष, एकवचन
tenaby that
tena:
Karana (Instrument/करण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
vaiindeed
vai:
Sambandha (Discourse particle/सम्बन्ध)
TypeIndeclinable
Rootvai (अव्यय)
Formनिपात (emphatic particle)
atyāhārātfrom overeating
atyāhārāt:
Apadana (Source/Cause/अपादान)
TypeNoun
Rootati-āhāra (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th/Ablative), एकवचन; समासः—उपपद-तत्पुरुष (ati + āhāra = excessive eating)
mahatgreat
mahat:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootmahat (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन; विशेषणम् (qualifying duḥkham)
duḥkhamsuffering
duḥkham:
Karta (Subject/कर्ता)
TypeNoun
Rootduḥkha (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन
alpāhārātfrom scant eating
alpāhārāt:
Apadana (Source/Cause/अपादान)
TypeNoun
Rootalpa-āhāra (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th/Ablative), एकवचन; समासः—कर्मधारय/तत्पुरुष-प्रायः (alpa + āhāra = little eating)
tadthat
tad:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Roottad (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन; विशेषणम् (qualifying antaram)
antaramthe opposite / the difference (i.e., less)
antaram:
Karta (Subject/कर्ता)
TypeNoun
Rootantara (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन

Unspecified (didactic narration within Bhūmi-khaṇḍa context)

Concept: Do not collapse into lamentation or premature renunciation; cultivate measured living—especially moderation in food—to reduce suffering.

Application: Adopt mindful eating: avoid overeating; keep a light, sattvic diet; treat food as prasada and maintain discipline suitable for japa and worship.

Primary Rasa: shanta

Secondary Rasa: karuna

Visual Art Cues: {"scene_description":"Inside a simple hermitage dining space, a teacher-sage gestures toward two bowls: one overflowing with rich food and one modestly filled with simple grains and fruits. A student listens attentively, while in the background a small Vishnu altar with a lamp suggests that moderation is part of devotional discipline, not mere austerity.","primary_figures":["teaching rishi","listening disciple","small Vishnu altar (symbolic)"],"setting":"ashram interior with leaf-mats, clay pots, and a small shrine niche","lighting_mood":"temple lamp-lit","color_palette":["warm ochre","clay brown","leaf green","lamp-gold","soft white"],"tanjore_prompt":"Tanjore painting style: a rishi instructing a disciple beside two offering plates (one excessive, one moderate), a small Vishnu shrine with gold leaf arch and deep red backdrop; ornate borders, gold leaf highlights on the lamp flame and haloed shrine, traditional South Indian iconographic detailing.","pahari_prompt":"Pahari miniature style: intimate ashram scene with delicate lines, the guru’s calm hand gesture, two bowls as visual metaphor, a tiny shrine with a flickering lamp; cool yet warm-balanced palette, refined expressions, minimal architecture and lyrical quietness.","kerala_mural_prompt":"Kerala mural style: bold outlines, simplified interior, the guru and disciple in stylized postures, two bowls clearly contrasted, Vishnu shrine in the corner with characteristic mural eyes and bright pigments; symmetrical composition and didactic clarity.","pichwai_prompt":"Pichwai cloth painting style: a devotional domestic scene framed by floral borders, offerings arranged like a bhoga display—one excessive, one restrained—before a small Vishnu/ Krishna icon; lotus motifs and intricate vines, deep blue background with gold accents emphasizing discipline as devotion."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft temple bell","crackling oil lamp","gentle tanpura","distant birds"]}

Sandhi Resolution Notes: śocayet + janma → śocayejjanma; atyāhārāt + mahat → atyāhārānmahat; alpa-āhārāt + tad → alpāhārāttad.

FAQs

It teaches moderation in diet: overeating produces great suffering, while a lighter or moderate intake reduces suffering.

No. It says one should not lament being born, nor adopt dispassion merely on that basis; instead, it points to self-control as a meaningful practice.

Atyāhāra (overindulgence in food) is portrayed as a direct cause of distress, implying that restraint and balance support wellbeing and dharmic living.