Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
चतुर्भिर्नयनं तद्वदस्त्रमेकेन कीर्तितम् । दृक्श्रोत्रनासाद्वितये जिह्वाहृन्नाभिगुह्यके ॥ ४४ ॥
caturbhirnayanaṃ tadvadastramekena kīrtitam | dṛkśrotranāsādvitaye jihvāhṛnnābhiguhyake || 44 ||
چار (علامت/حصّہ) سے نَین یعنی آنکھ بیان ہوئی ہے، اور اسی طرح اَستر ایک سے کہا گیا ہے۔ یہ چَشم، شَروتر، دونوں ناک کے سوراخ، نیز زبان، دل، ناف اور گُہیہ اَندرِیہ کے باب میں سمجھا جائے۔
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It encodes a technical mapping between mantra/ritual counts and bodily loci, implying that disciplined practice sanctifies the senses and vital centers, turning perception and embodiment into a regulated spiritual instrument.
By prescribing orderly placement/recognition of sacred measures in the sense-organs and inner centers, it supports bhakti as embodied devotion—training the senses to become fit vessels for remembrance and worship.
A Shiksha/ritual-technical style of enumeration used in nyasa-like applications—assigning counts or markers (e.g., ‘four’, ‘one’) to specific organs for structured recitation and ritual procedure.