Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
हृञ्च दाहक्ष्मास्वयुतं वज्रेशीपञ्चमं तथा । मरुत्स्वयुक्तो मध्याढ्यो दशम्याः परतः पुनः ॥ १७० ॥
hṛñca dāhakṣmāsvayutaṃ vajreśīpañcamaṃ tathā | marutsvayukto madhyāḍhyo daśamyāḥ parataḥ punaḥ || 170 ||
‘ہِرِঞ’ بیج کو ‘داہ’ اور ‘کشما’ کے ساتھ ودھی کے مطابق جوڑو؛ پانچواں ‘وجریشی’ ہے۔ پھر ‘مرُت’ کے ساتھ ملا کر اسے درمیان میں قائم کرو؛ اور دوبارہ اسے ‘دشمی’ کے بعد رکھو۔
Sanatkumara (in instruction to Narada on technical mantra/phonetic arrangement)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It preserves the precision of mantra-prayoga: correct joining and placement of syllables/terms is treated as spiritually consequential, because efficacy in japa and ritual depends on exact śikṣā-style ordering and nyāsa-like positioning.
Indirectly: it supports bhakti by giving the technical framework for disciplined mantra-recitation used in Vishnu-oriented worship—showing that devotion in the Narada Purana is often paired with exact, rule-based practice.
Śikṣā/ritual-mantra procedure: it specifies how particular syllables and mantra-elements are to be combined and where they are to be placed (middle, after the tenth), reflecting technical sequencing used in mantra-vinyāsa/nyāsa traditions.