Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
रत्नसिंहासनं तस्यै प्रददौ राधिकेश्वरः । एतस्मिन्नंतरे तत्र सस्त्रीकस्तु चतुर्मुखः ॥ २० ॥
ratnasiṃhāsanaṃ tasyai pradadau rādhikeśvaraḥ | etasminnaṃtare tatra sastrīkastu caturmukhaḥ || 20 ||
رادھیکیشور نے اسے جواہرات سے آراستہ تخت عطا کیا۔ اسی اثنا میں اسی لمحے چہارچہرہ برہما اپنی زوجہ سمیت وہاں آ پہنچا۔
Narada (narrating within the Purana’s dialogue framework)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It depicts divine honor and cosmic order: the bestowal of a jeweled throne signifies reverence, while Brahmā’s arrival with his consort frames the event as a formal, universe-level assembly.
By portraying the Lord’s act of honoring the beloved devotee/consort, it highlights bhakti as relational and grace-centered—devotion culminates in divine favor and intimate recognition.
No specific Vedāṅga (like Vyākaraṇa, Jyotiṣa, or Kalpa) is taught directly in this verse; it functions primarily as narrative context within the Purāṇic account.