The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
शिरोललाटभ्रूमध्यतालुकण्ठेषु हृद्यपि । नाभ्यंघ्रिजानुपादेषु दशार्णान्विन्यसेन्मनोः ॥ ६७ ॥
śirolalāṭabhrūmadhyatālukaṇṭheṣu hṛdyapi | nābhyaṃghrijānupādeṣu daśārṇānvinyasenmanoḥ || 67 ||
منتر کے دس حروف کو ذہن ہی ذہن میں سر، پیشانی، بھنوؤں کے درمیان، تالو، گلے اور دل میں نصب کرے؛ پھر ناف، پاؤں، گھٹنوں اور پنڈلیوں میں بھی ترتیب سے نیاس کرے۔
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It teaches mantra-nyāsa: internalizing the mantra by mentally placing its syllables on key bodily centers, making the practitioner’s body a consecrated seat of the mantra and steadying concentration.
By prescribing mindful installation of mantra-syllables, it supports devotional upāsanā: the devotee remembers the deity/mantra continuously, turning the body-mind into an instrument of worship through focused remembrance.
It reflects Śikṣā (phonetics) and mantra-prayoga: the disciplined use of syllables (arṇa) and their ritual placement (nyāsa) as a technical method to stabilize japa and meditation.