The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
ध्यायन्राममयोध्यायामभिषिक्त मनन्यधीः । पञ्चायुतं मनुं जप्त्वा नष्टराज्यमवाप्नुयात् ॥ १५३ ॥
dhyāyanrāmamayodhyāyāmabhiṣikta mananyadhīḥ | pañcāyutaṃ manuṃ japtvā naṣṭarājyamavāpnuyāt || 153 ||
ایودھیا میں مسندِ راج پر مُنصَّب شری رام کا دھیان کرتے ہوئے، یکسو عقل سے منتر کا پانچ ہزار بار جپ کرے؛ تو کھوئی ہوئی سلطنت دوبارہ حاصل ہو جاتی ہے۔
Narada (teaching a mantra-prayoga within the Vedanga/ritual-technical context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It presents a focused dhyāna (visualization) of Rāma’s coronation as a means to stabilize the mind and align one’s intent with dharma, showing how devotion-supported mantra-japa is taught as a practical sādhanā with tangible outcomes.
Bhakti is expressed as ananya-dhī—single-pointed absorption in Rāma—where remembrance (smaraṇa/dhyāna) and repetition (japa) work together, making devotion not only emotional but disciplined and practice-based.
It highlights mantra-prayoga through regulated japa-saṅkhyā (a fixed count: five thousand) and dhyāna as an applied ritual-technical method, reflecting the Narada Purana’s Vedanga-oriented approach to actionable spiritual procedures.