The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
रक्तास्थिमज्जासु तनौ न्यसेद्वर्णान्विचक्षणः । वर्णान्पदे गुल्फजानुकटिनाभिहृदि स्थले ॥ २४ ॥
raktāsthimajjāsu tanau nyasedvarṇānvicakṣaṇaḥ | varṇānpade gulphajānukaṭinābhihṛdi sthale || 24 ||
دانشمند سادھک بدن میں خون، ہڈیوں اور گودے میں بھی مقدّس حروف کا نیاس کرے۔ اور پاؤں، ٹخنوں، گھٹنوں، کمر، ناف اور دل کے مقام میں بھی انہی حروف کو قائم کرے॥ ۲۴ ॥
Sanatkumara (teaching Narada in a Vedanga/ritual-technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches internalizing mantra-power by ritually “installing” sacred phonemes in the body, turning the practitioner’s body into a consecrated support for japa and meditation.
Though technical, nyāsa supports bhakti by making mantra-recitation steady and embodied—so remembrance of the chosen deity can be sustained with greater purity and focus.
Śikṣā and mantra-vidhi are implied: the verse treats varṇas (phonemes) as potent units and instructs their systematic placement (nyāsa) at specific bodily points for ritual efficacy.