Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
ह्रीं रमामध्यगामष्टौ वर्णांस्तारादिकान्न्यसेत् । मूर्द्धास्यकंठहृत्कुक्षिनाभिलिंगगुदेषु च ॥ ९ ॥
hrīṃ ramāmadhyagāmaṣṭau varṇāṃstārādikānnyaset | mūrddhāsyakaṃṭhahṛtkukṣinābhiliṃgagudeṣu ca || 9 ||
‘اوم’ تارا سے شروع اور درمیان میں رَما (شری) کے ساتھ آٹھ حروف کا نیاس کرے۔ انہیں سر، منہ، گلا، دل، پیٹ، ناف، عضوِ تناسل اور مقعد میں قائم کرے۔
Sanatkumara (in instruction to Narada on mantra-nyāsa procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches nyāsa—ritually installing sacred syllables on key bodily centers—so the practitioner’s body becomes a consecrated support (ādhāra) for mantra-japa and worship, aligning speech, breath, and awareness with the mantra’s power.
By prescribing mantra-vidhi connected with Ramā (Śrī) and Tārā (oṁ), it frames devotion as disciplined upāsanā: the devotee prepares the body-mind as a temple before engaging in japa and pūjā, making bhakti steady and focused.
It highlights applied ritual science—mantra-vinyāsa/nyāsa—using precise placements and syllable-count (aṣṭa-varṇa), reflecting technical procedure akin to Śikṣā (mantric articulation) and Kalpa (ritual method).