The Explanation of Sandhyā and Related Daily Observances
Saṅdhyā-ādi Nitya-karma-Vidhi
अनृताद्या च गायत्री छन्दो विष्णुश्च देवता । चक्राद्यायुधसंयुक्तं कुम्भादर्शधरं हरिम् ॥ ९९ ॥
anṛtādyā ca gāyatrī chando viṣṇuśca devatā | cakrādyāyudhasaṃyuktaṃ kumbhādarśadharaṃ harim || 99 ||
“اَنرتادیا…” سے شروع ہونے والے منتر حصّے کا چھند گایتری ہے اور اس کی ادھیدیوَتا وِشنو ہیں۔ چکر وغیرہ آیُدھوں سے یُکت، کُمبھ اور آئینہ دھارن کرنے والے ہری کا دھیان کرے۔
Narada (instructing/reciting technical correspondences as taught in the Vedanga-oriented section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It links a specific mantra-section (“anṛtā-…”), its meter (Gāyatrī), and its presiding deity (Viṣṇu), showing that correct chandas–devatā alignment supports focused worship and effective recitation.
Bhakti is expressed through dhyāna: the devotee contemplates Hari’s iconography—discus and other weapons, along with the kumbha and mirror—so the mind becomes one-pointed on Viṣṇu while reciting the mantra.
It highlights Chandas (Vedic prosody) and devatā-viniyoga—identifying the meter and presiding deity for a given mantra/portion, a key ritual-technical step in Vedic recitation and application.