The Explanation of Sandhyā and Related Daily Observances
Saṅdhyā-ādi Nitya-karma-Vidhi
विमलो धारया युक्तो नृसिंहो विद्युता युतः । केशवादिमातृकाया मुनिर्नारायणो मतः ॥ ९८ ॥
vimalo dhārayā yukto nṛsiṃho vidyutā yutaḥ | keśavādimātṛkāyā munirnārāyaṇo mataḥ || 98 ||
‘وِمل’ دھارا (سہارا دینے والا بہاؤ) کے ساتھ یکت ہے؛ ‘نرسِمھ’ بجلی کے ساتھ یکت ہے۔ اور ‘کیشوَ’ سے آغاز ہونے والی ماترِکا (حروفی مجموعہ) میں مُنی کو ‘نارائن’ ہی مانا گیا ہے۔
Narada (teaching within a technical/Vedanga-style enumeration)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It links divine forms (Nṛsiṃha, Nārāyaṇa) with energetic principles (a sustaining ‘flow’ and lightning-like radiance) and anchors them in the Keśavādi Mātr̥kā, implying that sacred sound/phonemes are a vehicle for realizing Vishnu’s presence.
By identifying the sage-principle with Nārāyaṇa within the Keśava-based sacred sound matrix, it supports Bhakti through nāma (divine names) and mantra—devotion expressed as remembrance, recitation, and contemplative alignment with Vishnu’s forms.
It reflects a technical mantra/phoneme framework (Mātr̥kā), aligning with Śikṣā and Vyākaraṇa-oriented thinking—how sound-units and name-sequences are systematically mapped to deities for japa, nyāsa, and ritual application.