Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
हकारः सूर्यसंकाशतेजाः संगच्छते बहिः । सकारस्तादृशश्चैव प्रवेशे ध्यानमीरितम् ॥ ८० ॥
hakāraḥ sūryasaṃkāśatejāḥ saṃgacchate bahiḥ | sakārastādṛśaścaiva praveśe dhyānamīritam || 80 ||
‘ہ’کار سورج جیسی درخشانی رکھتا ہے اور باہر کی طرف جاتا ہے۔ ‘س’کار بھی ویسا ہی ہے؛ اور اندر داخل ہونے کے وقت اسی کو دھیان کہا گیا ہے۔
Sanatkumara (teaching Narada in a Vedanga/Shiksha context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It links sacred sound (varna) with the two movements of breath—outgoing and incoming—so the practitioner can steady awareness through Shiksha-based contemplation on “ha” and “sa.”
By training attention to remain absorbed during breathing through mantra-sound, the mind becomes fit for sustained remembrance (smarana) and one-pointed devotion, which supports Vishnu-bhakti in practice.
Shiksha (Vedic phonetics): the verse treats specific syllables as meditative supports and ties their recitation/awareness to breath regulation (praveśa and bahiḥ), a technical application of sound and articulation in sadhana.