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Narada Purana — Purva Bhaga, Shloka 80

Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana

हकारः सूर्यसंकाशतेजाः संगच्छते बहिः । सकारस्तादृशश्चैव प्रवेशे ध्यानमीरितम् ॥ ८० ॥

hakāraḥ sūryasaṃkāśatejāḥ saṃgacchate bahiḥ | sakārastādṛśaścaiva praveśe dhyānamīritam || 80 ||

‘ہ’کار سورج جیسی درخشانی رکھتا ہے اور باہر کی طرف جاتا ہے۔ ‘س’کار بھی ویسا ہی ہے؛ اور اندر داخل ہونے کے وقت اسی کو دھیان کہا گیا ہے۔

हकारःthe syllable ‘ha’
हकारः:
Karta/Viṣaya (कर्ता/विषय—topic)
TypeNoun
Rootहकार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन
सूर्यसंकाशतेजाःhaving sun-like radiance
सूर्यसंकाशतेजाः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootसूर्य + संकाश + तेजस् (प्रातिपदिक)
Formतत्पुरुष-समास (sun-like in appearance/brightness); पुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; qualifying हकारः
संगच्छतेmoves/goes
संगच्छते:
Kriyā (क्रिया)
TypeVerb
Rootसम् + गम् (धातु)
Formलट्-लकार (present), आत्मनेपद, प्रथमपुरुष (3rd person), एकवचन
बहिःoutward
बहिः:
Adhikaraṇa (अधिकरण—place/direction)
TypeIndeclinable
Rootबहिः (अव्यय)
Formदेशवाचक-अव्यय (spatial adverb)
सकारःthe syllable ‘sa’
सकारः:
Karta/Viṣaya (कर्ता/विषय—topic)
TypeNoun
Rootसकार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन
तादृशःof that kind/similar
तादृशः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootतादृश (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; qualifying सकारः
and
:
Sambandha-bodhaka (सम्बन्ध/निपात)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (conjunction)
एवindeed/just
एव:
Sambandha-bodhaka (सम्बन्ध/निपात)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारणार्थक-अव्यय (emphatic particle)
प्रवेशेat the entering (inhalation)
प्रवेशे:
Adhikaraṇa (अधिकरण—context/occasion)
TypeNoun
Rootप्रवेश (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/सप्तमी), एकवचन
ध्यानम्meditation
ध्यानम्:
Karta/Viṣaya (कर्ता/विषय—topic)
TypeNoun
Rootध्यान (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन
ईरितम्is declared
ईरितम्:
Kriyā (क्रिया—verbal predicate)
TypeVerb
Rootईर् (धातु) + क्त (कृदन्त)
Formभूतकर्मणि कृदन्त (past passive participle, क्त); नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; ‘is stated’

Sanatkumara (teaching Narada in a Vedanga/Shiksha context)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

FAQs

It links sacred sound (varna) with the two movements of breath—outgoing and incoming—so the practitioner can steady awareness through Shiksha-based contemplation on “ha” and “sa.”

By training attention to remain absorbed during breathing through mantra-sound, the mind becomes fit for sustained remembrance (smarana) and one-pointed devotion, which supports Vishnu-bhakti in practice.

Shiksha (Vedic phonetics): the verse treats specific syllables as meditative supports and ties their recitation/awareness to breath regulation (praveśa and bahiḥ), a technical application of sound and articulation in sadhana.