Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
तत्रस्थामृतसंमग्नीकृत्यात्मानं विभावयेत् । तत्प्रभापटलव्याप्तैविमलं चिन्मयं परम् ॥ ७२ ॥
tatrasthāmṛtasaṃmagnīkṛtyātmānaṃ vibhāvayet | tatprabhāpaṭalavyāptaivimalaṃ cinmayaṃ param || 72 ||
وہیں ٹھہر کر اپنے آپ کو امرتِ سرور میں غرق سمجھ کر دھیان کرے۔ اُس پرم نور کے پردے سے محیط ہو کر وہ بے داغ، چِتنمَی، ماورائے حقیقت کا ادراک پاتا ہے۔
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It instructs a direct contemplative method: visualize the Self immersed in amṛta (immortal bliss) and recognize the pure, supreme consciousness (cinmaya param) revealed by the pervading radiance of Brahman.
Though primarily jñāna-dhyāna in tone, it supports bhakti by focusing the mind on “That” (tat)—the Supreme—whose radiance pervades everything; sustained loving absorption naturally matures into one-pointed devotion and inner surrender.
It emphasizes applied dhyāna-yoga as a disciplined mental practice—using precise visualization (vibhāvayet) and steady placement of attention (tatra)—a practical method often paired with mantra and correct recitation taught alongside Vedanga-oriented instruction.