Narada Purana — Purva Bhaga, Shloka 52
The Greatness of Viṣṇu
Uttaṅka’s Hymn, Hari’s Manifestation, and the Boon of Bhakti
त्वया कृतमिदं स्तोत्रं यः पठेत्सततं नरः । सर्वान्कामानवाप्यान्ते मोक्षभागी भवेत्ततः ॥ ५२ ॥
tvayā kṛtamidaṃ stotraṃ yaḥ paṭhetsatataṃ naraḥ | sarvānkāmānavāpyānte mokṣabhāgī bhavettataḥ || 52 ||
جو شخص آپ کے رچے ہوئے اس ستوتر کا ہمیشہ پاٹھ کرتا رہے، وہ تمام مطلوبہ مرادیں پاتا ہے اور آخرکار موکش کا حق دار بن جاتا ہے۔
Sanatkumara (addressing Narada, concluding the stotra’s recitation-fruit)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
FAQs
It states the phala-śruti: steady recitation of the prescribed hymn yields both worldly fulfillments (kāma) and the supreme end—mokṣa—showing devotion as a complete sādhana.
By emphasizing satata-pāṭha (continuous recitation), it presents bhakti as sustained remembrance and praise (stotra), culminating not only in blessings but in liberation.
It highlights disciplined pāṭha (recitation practice) and the phala-śruti framework used in ritual and devotional texts; no specific Vedāṅga (like Jyotiṣa or Vyākaraṇa) is directly taught in this verse.