Gṛhastha-nitya-karman: Śauca, Sandhyā-vidhi, Pañca-yajña, and Āśrama-krama
सरस्वतीं विष्णुयोनिमाह्वयेद्विष्णुवादिनीम् । तारं च व्याहृतीः सत्प त्रिपदां च समुच्चरन् ॥ ४६ ॥
sarasvatīṃ viṣṇuyonimāhvayedviṣṇuvādinīm | tāraṃ ca vyāhṛtīḥ satpa tripadāṃ ca samuccaran || 46 ||
سرسوتی کو، جو وِشنو-یونی اور وِشنو کی منادی کرنے والی ہے، آہوان کرے؛ اور ساتھ ہی پرنَو ‘اوم’، ویاہرتیاں (بھُوः بھُوَوَः سْوَः) اور تری پدا گایتری کا بھی اُچار کرے۔
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches a Viṣṇu-oriented approach to sacred recitation: invoking Sarasvatī (speech/knowledge) while anchoring the chant in Oṃ, the vyāhṛtis, and the Gāyatrī—so learning and speech become aligned with devotion and liberation.
By defining Sarasvatī as “viṣṇu-vādinī,” it frames true eloquence and knowledge as praise of Viṣṇu; bhakti is practiced through disciplined mantra-utterance rather than mere intellectual display.
It highlights correct mantra-recitation (ucchāraṇa) and structured chanting—Oṃ (tāra), the vyāhṛtis, and Gāyatrī—reflecting Vedāṅga concerns such as Śikṣā (phonetics) and proper japa/ritual procedure.