Jyotiṣa-saṅgraha: Varga-vibhāga, Bala-nirṇaya, Garbha-phala, Āyuḥ-gaṇanā
सिंहोक्षाविस्रश्चतौ लिकुभाः सूर्यात्रिकोणभम् । चतुरस्रं तूर्यमृत्युत्रिकोणं नवपंचमम् ॥ १० ॥
siṃhokṣāvisraścatau likubhāḥ sūryātrikoṇabham | caturasraṃ tūryamṛtyutrikoṇaṃ navapaṃcamam || 10 ||
‘اسد’ اور ‘ثور’ نیز ‘وِسرش’ (ڈھیلا/جھکا ہوا) — یہ چہارگانہ قسم کے کہے گئے ہیں۔ سورج کو مثلث کی صورت میں دکھایا جائے؛ چوکور ‘توریہ’ ہے؛ اور مثلث موت سے وابستہ ہے۔ نواں اور پانچواں بھی اسی طرح سمجھیں۔
Sanatkumara (teaching Narada in a technical enumeration)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It signals that the text sometimes teaches Dharma and Moksha using technical schemata—classifying forms and directions through symbols (triangle/square) to guide correct contemplation and ritual precision.
Indirectly: by prescribing correct symbolic forms (especially connected with Surya and mortality), it supports disciplined practice; such disciplined ritual order is presented as an aid that can be integrated into devotion rather than replacing it.
Vedanga Jyotisha/technical diagrammatics: the verse associates specific geometric figures (triangle, quadrilateral) with enumerated positions (e.g., fourth, fifth, ninth) and with themes like Surya and mṛtyu, indicating a rule-based symbolic mapping used in applied ritual/astrological instruction.