Narada Purana — Purva Bhaga, Shloka 34
Vyākaraṇa-saṅgraha: Pada–Vibhakti–Kāraka–Lakāra–Samāsa
विष्णुर्नभ्यो रविरयं गी फलं प्रातरच्युतः । भक्तैर्वद्योऽप्यंतरात्मा भो भो एष हरिस्तथा । एष शार्ङ्गी सैष रामः संहितैवं प्रकीर्तिता ॥ ३४ ॥
viṣṇurnabhyo ravirayaṃ gī phalaṃ prātaracyutaḥ | bhaktairvadyo'pyaṃtarātmā bho bho eṣa haristathā | eṣa śārṅgī saiṣa rāmaḥ saṃhitaivaṃ prakīrtitā || 34 ||
یہی وِشنو ہیں؛ ناف سے سورج طلوع ہوتا ہے؛ یہ ستوتی کا گیت ہے، یہی اس کا پھل ہے؛ صبح اچیوت کا سمرن کرنا چاہیے۔ وہ اندرونی آتما ہو کر بھی بھکت پکار اٹھتے ہیں—‘بھُو بھُو، یہی ہری ہے!’ یہی شارنگ دھاری ہیں، یہی رام ہیں—یوں سنہتا کی پرکیرتی ہوئی۔
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
FAQs
It presents Hari (Viṣṇu) as both transcendent and immanent—He is the antarātmā (inner Self) yet lovingly invoked by devotees—showing that liberation-oriented mokṣa-dharma is fulfilled through praise and remembrance of the Lord.
Bhakti is shown as vocal praise and heartfelt calling—“eṣa hariḥ”—along with prātaḥ-smaraṇa (morning remembrance) of Acyuta; the “phala” (fruit) is linked to devotional recitation (gī) rather than mere intellectual knowledge.
It highlights practical prayoga (application) in daily sādhana—especially prātaḥ-smaraṇa and stotra/saṃhitā-style recitation—where correct utterance and disciplined timing connect to Śikṣā (phonetics) and Kalpa (ritual procedure) in lived devotion.