Adhyaya 51 — Yaksha Injunctions: Graha-Children and Female Spirits Causing Domestic and Ritual Disruptions
विद्वेषिणी तु या कन्या भृकुटीकुटिलानना ।
तस्या द्वौ तनयौ पुंसामपकारप्रकाशकौ ॥
vidveṣiṇī tu yā kanyā bhṛkuṭīkuṭilānanā /
tasyā dvau tanayau puṃsām apakāraprakāśakau
اب ‘وِدوَیشِنی’ نامی دوشیزہ، جس کا چہرہ تیوری چڑھنے سے ٹیڑھا ہے، اس کے دو بیٹے ہیں جو مردوں کے خلاف ہونے والے نقصانات کو ظاہر کرتے ہیں۔
{ "primaryRasa": "shanta", "secondaryRasa": "raudra", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Hatred is portrayed as 'productive'—it generates agents that disclose and magnify human faults and injuries, indicating that malice does not stay internal but externalizes into social damage.
Ancillary moral-etiological narration (not a vaṃśa list or manvantara chronicle).
The 'frowning, twisted face' is an icon of inner distortion: when citta is warped by dveṣa, perception itself becomes crooked and projects harm outward.