जगाम त्रिदिवं देवो दैत्योऽपि स्वकमालयम् । उत्तीर्णं तपसस्तं च दैत्यं दैत्येश्वरास्तदा
jagāma tridivaṃ devo daityo'pi svakamālayam | uttīrṇaṃ tapasastaṃ ca daityaṃ daityeśvarāstadā
Bumalik ang diyos sa Tridiva (kalangitan), at ang Daitya nama’y nagtungo sa sariling tahanan. Pagkaraan, nagtipon sa paligid ng demonyong yaon ang mga panginoon ng Daitya, sapagkat natapos niya nang ganap ang kanyang pag-aayuno at pagninilay.
Narrator (Sūta/Lomaharṣaṇa, per Māheśvarakhaṇḍa narrative style)
Scene: Two simultaneous departures: a deva returning to Svarga and the daitya returning to his fortified abode; daitya chiefs assemble around the ascetic-victor.
Tapas can yield results even for the unrighteous, but its fruit is judged by how power is used afterward.
No; the setting is cosmic (heaven and the Daitya abode), not a terrestrial tīrtha.
Only the general motif of tapas (austerity) is present; no specific vrata or rite is detailed.