अन्तराय-उपसर्ग-विवेचनम् / Analysis of Yogic Obstacles (Antarāyas) and Upasargas
विद्युत्समानवर्णे च पर्णे वर्णावसानके । षोडशारस्य पत्राणि स्वराः षोडश तानि वै
vidyutsamānavarṇe ca parṇe varṇāvasānake | ṣoḍaśārasya patrāṇi svarāḥ ṣoḍaśa tāni vai
Sa talulot na ang kulay ay tulad ng kidlat, at doo’y nakalagay ang mga titik ayon sa wastong ayos, ang labing-anim na talulot ng anyong may labing-anim na sinag ay tunay na ang labing-anim na patinig.
Suta Goswami
Tattva Level: pasha
Shiva Form: Sadāśiva
Type: stotra
Shakti Form: Lalitā
Role: creative
It presents a yogic-mantric mapping where the sixteen vowels are contemplated as sixteen petals, indicating that sound (śabda) and consciousness are to be purified and internalized for realizing Pati (Shiva) beyond bonds (pāśa).
It supports Saguna upāsanā by giving a structured contemplation (letters on petals) that focuses the mind on Shiva’s manifest power as mantra and sacred sound, which then leads the devotee toward the subtler realization of Shiva as the supreme Pati.
Meditative japa and dhyāna on a mantra-diagram (petals/spokes with letters), mentally placing the sixteen vowels in order while concentrating on Shiva as the indwelling Lord.