Yama’s Journey to Brahmaloka
Ekadashi–Dvadashi Mahatmya in the Rukmangada Cycle
पटहं वारणे धृत्वा वादयेद्धरि वासरे । अष्टवर्षाधिको यस्तु पञ्चाशीत्यूनवर्षकः ॥ ८ ॥
paṭahaṃ vāraṇe dhṛtvā vādayeddhari vāsare | aṣṭavarṣādhiko yastu pañcāśītyūnavarṣakaḥ || 8 ||
Ipatong ang malaking tambol sa elepante at patunugin ito sa banal na araw ni Hari. Ito’y dapat gawin ng may edad na lampas walong taon at wala pang walumpu’t lima.
Narada (teaching in a vrata/mahatmya-ritual context; dialogue tradition with Sanatkumara line implied for this section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It frames Hari’s day as a public, celebratory act of devotion—sounding a drum in a procession-like manner—so that remembrance of Vishnu becomes communal and merit-generating.
Bhakti here is expressed as outward, audible glorification of Hari on a sacred observance day, encouraging collective attention toward Vishnu and strengthening devotional culture.
It reflects Kalpa-style ritual procedure (vidhi) and practical dharma rules, including eligibility by age for participating in the observance.