Yama’s Journey to Brahmaloka
Ekadashi–Dvadashi Mahatmya in the Rukmangada Cycle
क्षीरशायिप्रियो भक्तो हरिवासरतत्परः । नान्यं पश्यति देवेशात्पद्मनाभान्महीपतिः ॥ ७ ॥
kṣīraśāyipriyo bhakto harivāsaratatparaḥ | nānyaṃ paśyati deveśātpadmanābhānmahīpatiḥ || 7 ||
Ang haring iyon ay isang debotong minamahal ni Kṣīraśāyī (Viṣṇu na nakahimlay sa Karagatang Gatas), lubos na nakatuon sa pananatili kay Hari. Wala siyang minamasdan kundi ang Panginoon ng mga diyos—si Padmanābha.
Sanatkumara (teaching Narada in the Uttara-Bhaga narrative frame)
Vrata: none
Rasa: {"primary_rasa":"bhakti","secondary_rasa":"adbhuta","emotional_journey":"Elevates the king’s single-minded devotion: beloved of Kṣīraśāyī, intent on Hari’s abode/companionship, culminating in exclusive God-vision (seeing none but Padmanābha)."}
It teaches ekānta-bhakti (exclusive devotion): the devotee’s vision becomes so centered on Viṣṇu (Padmanābha) that no other object is regarded as ultimate or worthy of refuge.
Bhakti here is shown as continuous orientation—“hari-vāsa-ratat-paraḥ”—living in Hari’s presence through remembrance, worship, and surrender, culminating in single-minded God-vision.
No specific Vedāṅga technique is taught in this verse; the practical takeaway is sādhana through nitya-smaraṇa (daily remembrance) and exclusive refuge in Viṣṇu, which complements ritual disciplines rather than detailing them.