The Exposition of the Maheśa Mantra
Mahēśa-mantra-prakāśana
शिरोवदनहृत्कुक्षिसोरुपादद्वये पुनः । हृदि वक्त्रांबुजे टंकमृगा भयवरेष्वथ ॥ ९ ॥
śirovadanahṛtkukṣisorupādadvaye punaḥ | hṛdi vaktrāṃbuje ṭaṃkamṛgā bhayavareṣvatha || 9 ||
Muli, sa pares ng (banal) paa, sa mga hita, sa tiyan, sa puso, sa mukha, at sa ulo—at saka sa puso at sa lotus ng bibig—dapat pagnilayan ang mga itinakdang sagisag: ang aṅkuśa (pangsungkit), ang usa, ang mudrā ng kawalang-takot (abhaya), at ang mudrā ng pagbibigay-biyaya (varada).
Narada (teaching in a technical/ritual-visualization context within Book 1.3)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches a structured dhyāna (contemplative) method: the devotee mentally places sacred emblems and mudrās across specific bodily/divine loci, stabilizing attention and invoking protective and beneficent qualities (abhaya and vara).
Bhakti here is expressed as focused remembrance (smaraṇa) through form-based meditation: contemplating the deity’s auspicious signs and gestures cultivates trust, fearlessness, and surrender—key devotional attitudes.
It reflects technical ritual procedure akin to mantra-vidhi and dhyāna-lakṣaṇa (iconographic/visualization rules), a practical, methodical application of sacred science used in worship and recitation contexts.
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