Nityā-paṭala-prakaraṇa
The Exposition of the Nityā-paṭala
विकीर्णकेशीमालोललोचनामरुणारुणाम् । वायुप्रेंखत्पताकास्थपदा पद्मकलेवराम् ॥ ९४ ॥
vikīrṇakeśīmālolalocanāmaruṇāruṇām | vāyupreṃkhatpatākāsthapadā padmakalevarām || 94 ||
Ang kanyang buhok ay nakalugay at nagkalat; ang mga mata’y balisa at pabagu-bago; siya’y nagniningning sa malalim na mapulang kulay. Ang kanyang mga paa’y nakatindig sa mga bandilang umiindayog sa hangin, at ang kanyang katawan ay tulad ng lotus sa anyo at liwanag.
Narada (describing a divine/ritual visualization within the Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It functions as a dhyāna-style portrayal: vivid sensory details steady the mind, turning attention from distraction to a concentrated, worshipful vision suitable for mantra-japa and ritual contemplation.
By giving a concrete, emotionally charged depiction of the revered form, it supports bhakti through remembrance (smaraṇa) and focused visualization, making devotion practical and immediate during worship.
It aligns with ritual application—using prescribed imagery for dhyāna in worship—supporting the technical side of practice often paired with Vedāṅga disciplines (especially śikṣā for correct recitation and kalpa-style ritual procedure).
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