Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
शेषं तद्वलये न्यस्य हृद्दृक्छ्रोत्रे नसोर्द्वयोः । त्वचि ध्वजे च पायौ च पादयो रर्णकान्न्यसेत् ॥ ८३ ॥
śeṣaṃ tadvalaye nyasya hṛddṛkchrotre nasordvayoḥ | tvaci dhvaje ca pāyau ca pādayo rarṇakānnyaset || 83 ||
Ilagay ang natitira sa palasingsingan, at saka isagawa ang nyāsa sa puso, mga mata, mga tainga, at sa dalawang butas ng ilong. Ilagay din ang itinakdang mga pantig sa balat, sa dhvaja (bandila/pananda), sa puwit, at sa dalawang paa.
Sanatkumara (teaching Narada a technical ritual procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It teaches nyāsa—sacralizing the practitioner’s body by assigning mantra-syllables to specific limbs and sense-centers, turning the body into a fit locus for worship and focused meditation.
By prescribing a disciplined, embodied form of worship: devotion is expressed through careful mantra-placement and reverent attention to the heart and senses, so the devotee’s perception and action become aligned with the chosen deity’s remembrance.
Ritual-technical know-how—mantra-nyāsa/anga-vinyāsa (a procedural application of sacred sound to bodily loci), reflecting the applied side of Vedic practice used in pūjā and mantra-sādhana.
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