The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
मुद्रां त्रिखंडां संदर्श्य पूजयेच्चंद्रमंडलम् । वाक्सत्यपद्मागगने रेफानुग्रहबिंदुयुक् ॥ १०३ ॥
mudrāṃ trikhaṃḍāṃ saṃdarśya pūjayeccaṃdramaṃḍalam | vāksatyapadmāgagane rephānugrahabiṃduyuk || 103 ||
Matapos ipakita ang mudrā na tatlong-bahagi (trikhaṇḍā), dapat sambahin ang bilog ng buwan. Isagawa ang pagsamba sa pamamagitan ng mantra “vāk–satya–padmā–gagane,” na may titik “ra” (repha), may dagdag na “anugraha” na biyaya, at may bindu na tuldok na pang-ilong.
Sanatkumara (teaching Narada in a Vedanga/ritual-technical sequence)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links correct outer ritual (mudrā and pūjā of the candramaṇḍala) with precise inner power of sound (mantra-formation using repha and bindu), implying that spiritual efficacy depends on disciplined, accurate sacred speech.
Bhakti here is expressed as reverent upāsanā—worship of the lunar deity through a prescribed gesture and mantra—showing devotion as attentive, rule-guided offering rather than mere emotion.
It highlights mantra-śāstra/phonetics and ritual technique: how syllabic features like repha (‘ra’) and bindu (anusvāra) function as deliberate components of a mantra used in a specific worship procedure.