Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
उद्यद्दिवाकरनिभां तुंगोरोजां त्रिलोचनाम् । स्मरास्यामिंदुमुकुटां वरपाशांकुशाभयाम् ॥ १७ ॥
udyaddivākaranibhāṃ tuṃgorojāṃ trilocanām | smarāsyāmiṃdumukuṭāṃ varapāśāṃkuśābhayām || 17 ||
Magninilay ako sa Kanya—nagniningning na gaya ng sumisikat na araw, mataas ang dibdib, may tatlong mata; kaakit-akit ang mukha; suot ang buwan bilang korona, at ang Kanyang mariringal na kamay ay may hawak na lubid na panggapos, pang-udyok na kawit (ankusha), at ang mudrā ng abhaya, tanda ng walang takot.
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
The verse gives a dhyāna-lakṣaṇa (meditative visualization) of the Goddess, using luminous and iconographic markers to steady the mind, invoke protection (abhaya), and internalize divine power through remembrance (smaraṇa).
It presents bhakti as focused remembrance and contemplation of the deity’s form and attributes—meditating on her radiance, compassionate protection, and sacred emblems as a direct devotional practice.
It reflects ritual-technical practice: dhyāna used as an aṅga (limb) of pūjā and mantra-sādhana, where precise iconography and visualization support correct recitation and worship procedure.