Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
वागीश्वर्या समायुक्तं वामगंडे महेश्वरम् । श्रिया धनपतिं न्यस्य वामकर्णाग्रके पुनः ॥ १२ ॥
vāgīśvaryā samāyuktaṃ vāmagaṃḍe maheśvaram | śriyā dhanapatiṃ nyasya vāmakarṇāgrake punaḥ || 12 ||
Pagkaraan, sa nyāsa ay ilagay si Maheśvara (Mahādeva) na kaisa ng kapangyarihan ng pananalita ni Vāgīśvarī sa kaliwang pisngi; at kasama si Śrī (kasaganaan), ilagay muli si Dhanapati (Kubera) sa dulo ng kaliwang tainga.
Narada (instructional narration within a technical/ritual context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches nyāsa—internalizing divine powers by placing specific deities on specific body-points—so speech (Vāgīśvarī) and auspicious strength (Śrī) become sanctified supports for the sādhaka’s practice.
By ritually “placing” Mahādeva and Dhanapati with their śaktis, the practitioner treats the body as a temple; this embodied reverence is a practical form of devotion that aligns mind, speech, and prosperity toward dharmic worship.
A technical ritual method (nyāsa) used in mantra-prayoga: assigning devatās to aṅgas (body locations) to stabilize recitation, intention, and auspicious results—typical of applied Vedic/Āgamic procedure discussed in Book 1.3.