The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
अतसीकुसुमप्रख्यः सदा लक्ष्मीकृपाकरः । त्रिपुरारिप्रियकरो ह्युग्रधन्वापराजितः ॥ १२३ ॥
atasīkusumaprakhyaḥ sadā lakṣmīkṛpākaraḥ | tripurāripriyakaro hyugradhanvāparājitaḥ || 123 ||
Nagniningning Siya na gaya ng bulaklak na atasī, laging tagapagkaloob ng biyaya ni Lakṣmī; minamahal Siya ng pumatay sa Tripura (Śiva), at bilang Ugradhanvā, Siya ang Aparājita—ang Di-Matatalo.
Sanatkumara (instructing Narada in a technical/recitational list of divine epithets used in worship)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It presents devotional epithets that function as contemplative “handles” in japa: the deity is praised as radiant, grace-bestowing (Lakṣmī’s favor), universally revered (dear even to Tripurāri), and ultimately invincible—supporting faith and steadiness in worship.
Bhakti here is expressed through nāma-stuti (praise by names): meditating on beauty (radiance), compassion/prosperity (Lakṣmī-kṛpā), and divine supremacy (aparājita) shapes the devotee’s inner attitude into trust, reverence, and single-pointed remembrance.
It reflects mantra-anga practice within the Vedāṅga-oriented section: careful use of compound epithets (e.g., lakṣmī-kṛpā-karaḥ, tripurāri-priya-karaḥ) suited for recitation, aiding correct wording and devotional application in stotra/japa contexts.
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