The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
येजनं काम्यकर्माणि सर्वं कुर्यात्षडर्णवत् । रामश्च चन्द्रभ द्रांतो ङेनमोंतो ध्रुवादिकः ॥ ६३ ॥
yejanaṃ kāmyakarmāṇi sarvaṃ kuryātṣaḍarṇavat | rāmaśca candrabha drāṃto ṅenamoṃto dhruvādikaḥ || 63 ||
Dapat isagawa ang mga yajña at lahat ng ritwal na may hangaring makamit ang bunga, nang ganap ayon sa paraan ng anim-na-pantig na mantra. Ang ‘Rāma’ at iba pang anyong anim-na-pantig—yaong nagtatapos sa ‘candrabha’, yaong nagtatapos sa ‘ṅe-namoṃ’, at yaong nagsisimula sa ‘dhruva’—ay gamitin ayon sa nararapat.
Narada (teaching in a Vedanga/Mantra-vidhi context, within the Narada Purana’s technical sections)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes that even result-oriented (kāmya) rites should be structured around a disciplined mantra-method (ṣaḍarṇa/ṣaḍakṣara-vidhi), implying that correct mantra-application and sacred sound-order are central to efficacy and purity in ritual.
By foregrounding mantra-centered practice (including the ‘Rāma’ mantra-form), the verse points to devotion expressed through regulated japa and ritual—where reverence is embodied in precise, repeated sacred utterance.
Śikṣā (Vedic phonetics) and mantra-prayoga: the verse references technical mantra ‘endings/beginnings’ (nasalized syllables, fixed openings like dhruva), indicating attention to pronunciation, formation, and correct ritual deployment.
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