The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
भूर्जेऽष्टगन्धैः संलिख्य पूजयेदुक्तवर्त्मना । षट्कोणेषु दलार्काब्जान्यावेष्टवृत्तयुग्मतः ॥ ३६ ॥
bhūrje'ṣṭagandhaiḥ saṃlikhya pūjayeduktavartmanā | ṣaṭkoṇeṣu dalārkābjānyāveṣṭavṛttayugmataḥ || 36 ||
Matapos isulat sa balat ng punong birch (bhūrja) gamit ang mabangong aṣṭagandha na walong sangkap, sambahin ito ayon sa naunang itinakdang paraan; at sa loob ng anim na tatsulok, iguhit ang araw-na-lotus na may mga talulot, na napalilibutan ng dalawang magkakasentrong bilog.
Sanatkumara (in instruction to Narada, within a technical/ritual exposition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches that worship is not only devotional but also precise: the sanctity of a rite is supported by correct materials (bhūrja), consecrating substances (aṣṭagandha), and an accurately formed sacred diagram (ṣaṭkoṇa, lotus, circles).
Bhakti here is expressed as disciplined reverence—inscribing and worshipping the sacred form exactly “by the stated method,” showing devotion through careful, rule-guided service (sevā) rather than mere emotion.
It highlights ritual-technical know-how: preparing a worship-support (patra), applying consecrated fragrant substances (aṣṭagandha), and constructing a yantra-like geometry (triangles, lotus, concentric circles) used in mantra-based worship.