The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
चन्द्रा ग्निवेदषड्रामनेत्रदिग्बाहुभूमितान् । विभक्तान्मन्त्रवर्णांश्च क्रमात्स्थानेषु विन्यसेत् ॥ ३० ॥
candrā gnivedaṣaḍrāmanetradigbāhubhūmitān | vibhaktānmantravarṇāṃśca kramātsthāneṣu vinyaset || 30 ||
Dapat ilagay nang sunud-sunod sa kani-kaniyang wastong puwesto ang mga pantig ng mantra na hinati at itinalaga sa Buwan, Apoy, mga Veda, anim na sangkap, Rāma, mga mata, mga direksiyon, mga bisig, at sa lupa.
Narada (teaching in a technical Vedanga/ritual context, in dialogue tradition with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It presents nyāsa as a disciplined sacralization of the body/space: mantra-syllables are mapped onto cosmic principles (Moon, Fire, directions, earth), aligning the practitioner’s rite with the ordered universe.
Though technical, it supports bhakti by prescribing careful mantra-application; correct placement (vinyāsa) becomes an act of reverent attention that steadies the mind for devotional worship.
Ritual-technical procedure: sequential mantra-syllable placement (nyāsa/vinyāsa) using prescribed loci—an applied discipline related to mantra-śāstra and the Vedāṅga-oriented sciences of correct recitation and ritual order.