The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
ॐ सर्वज्ञ अरोषान्ते जम्भाजृम्भ्यवतारकम् । सत्यपुरुषशब्दान्ते सदसन्मध्य ईरयेत् ॥ १७४ ॥
oṃ sarvajña aroṣānte jambhājṛmbhyavatārakam | satyapuruṣaśabdānte sadasanmadhya īrayet || 174 ||
Dapat bigkasin ang pantig na “Oṃ”: matapos ang salitang “Sarvajña”, sa dulo ng “Aroṣa”, kasama ang “Jambha–Ājṛmbhya–avatāraka”; at matapos ang “Satya-puruṣa”, bigkasin ito sa gitna sa pagitan ng “sat” at “asat”.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It emphasizes that mantra-power depends on precise placement and articulation—especially of Oṃ—so the recitation aligns correctly with the intended sacred meaning and ritual efficacy.
Even when devotion is the motive, the Purana teaches disciplined recitation: reverent bhakti is strengthened by correct mantra-usage, showing devotion expressed through careful sacred sound.
Śikṣā (Vedic phonetics/intonation) and mantra-prayoga: it gives a technical rule about where Oṃ should be inserted or pronounced relative to specific words in a mantra sequence.
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