The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
पूर्वोक्तविधिना सर्वं ध्यानपूजादिकं चरेत् । जितं ते पुण्डरीकाक्ष नमस्ते विश्वभावन ॥ १२८ ॥
pūrvoktavidhinā sarvaṃ dhyānapūjādikaṃ caret | jitaṃ te puṇḍarīkākṣa namaste viśvabhāvana || 128 ||
Ayon sa paraang naunang sinabi, isagawa ang lahat—pagmumuni, pagsamba, at iba pa. “Tagumpay sa Iyo, O Panginoong may matang-lotus; pagpupugay sa Iyo, O Tagapagtaguyod ng sansinukob.”
Narada (teaching the standardized pūjā-vidhi; the quoted line is a concluding mantra addressed to Viṣṇu)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It emphasizes disciplined, scripture-aligned worship—performing meditation and pūjā in the proper sequence—and seals the rite with a victorious salutation to Viṣṇu, affirming surrender and divine supremacy.
Bhakti is expressed as both inner devotion (dhyāna) and outer devotion (pūjā), culminating in heartfelt praise—“jitam te” and “namas te”—directed to the Lotus-eyed Lord who sustains the universe.
It highlights vidhi (procedural correctness) in ritual performance—how to execute dhyāna and pūjā as taught—reflecting the Narada Purana’s technical, rule-based approach to worship practices.
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