Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
उद्यन्मार्तण्डसदृशं लोकस्थित्यंतकारणम् । सशक्तिकं भूषितांगं दंत चक्राद्युदायुधम् ॥ १७ ॥
udyanmārtaṇḍasadṛśaṃ lokasthityaṃtakāraṇam | saśaktikaṃ bhūṣitāṃgaṃ daṃta cakrādyudāyudham || 17 ||
Siya’y tulad ng sumisikat na Araw, ang sanhi ng pagpapatuloy ng daigdig at ng pagwawakas nito; kasama ang Kanyang Śakti, ang Kanyang mga sangkap ay pinalamutian nang maringal, tangan ang mga sandatang itinaas gaya ng pangil at cakra at iba pa.
Narada (describing the deity in a didactic narrative, addressed within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It presents the Lord as both immanent and transcendent—the sustaining principle of cosmic order (sthiti) and the power behind dissolution (anta), encouraging contemplation of the Divine as the ultimate cause beyond changing phenomena.
By portraying the Lord with radiant, protective majesty (like the rising Sun) and with weapons that remove obstacles, it supports devotional meditation (dhyāna) on His form and attributes as a direct means to steadiness of mind and reverence.
The verse aligns with traditional dhyāna/iconographic specification used in ritual and recitation—useful for correct visualization and mantra-based worship, a practical application often integrated with Śikṣā (recitation discipline) and Kalpa-style ritual framing.
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