Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
ततस्तु साधकश्रेष्टः स्तंभयेच्छंखमुद्रया । आग्नेयादिषु कोणेषु हृदाद्यंगचतुष्टयम् ॥ ८ ॥
tatastu sādhakaśreṣṭaḥ staṃbhayecchaṃkhamudrayā | āgneyādiṣu koṇeṣu hṛdādyaṃgacatuṣṭayam || 8 ||
Pagkatapos, ang pinakadakilang nagsasanay ay dapat magpatatag at magpigil sa apat na pantulong na sangkap ng mantra, simula sa Hṛd (Puso), sa mga sulok na nagsisimula sa Timog-Silangan (Agni) at sa iba pa, sa pamamagitan ng Śaṅkha mudrā (mudrā ng kabibe).
Sanatkumara (teaching Narada in a technical/ritual context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
It teaches ritual steadiness: the practitioner ‘stabilizes’ the mantra-auxiliaries (aṅgas) with a mudrā, establishing control, protection, and focused continuity of worship before proceeding further.
Bhakti here is disciplined and methodical—devotion is supported by correct ritual acts (mudrā and directional placement), which help keep the mind steady and the worship space safeguarded for sustained remembrance of the deity.
Directional ritual application (dik/koṇa placement) and technical mantra procedure (aṅga-catuṣṭaya, mudrā-based stambhana) reflect a Vedāṅga-like emphasis on precise ritual performance and liturgical method.
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