Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
विशुद्धे षोडशदले स्वराढ्ये शुक्लवर्णके । महाज्योतिप्रकाशायेन्द्रियाधिपतये ततः ॥ ८९ ॥
viśuddhe ṣoḍaśadale svarāḍhye śuklavarṇake | mahājyotiprakāśāyendriyādhipataye tataḥ || 89 ||
Pagkatapos, sa Viśuddha (lotus ng lalamunan) na may labing-anim na talulot—umaalingawngaw sa mga banal na tunog, maputing anyo—magnilay sa Dakilang Liwanag, ang panginoong namamahala sa mga pandama.
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It links inner yogic worship with purity of speech and awareness, directing meditation to the Viśuddha lotus where sound and clarity culminate in the vision of “great light” and mastery over the senses.
By presenting meditation as reverent contemplation of the divine radiance within the subtle center associated with mantra and sacred sound—turning speech and perception into worship and inner remembrance.
The verse emphasizes sound/phonemes (svara) and their disciplined use—aligned with Śikṣā (Vedic phonetics) and mantra-practice—showing how correct sound-awareness supports meditation and sense-control.