Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
ब्रह्मणे षट्सहस्रं तु हंसारूढाय चार्पयेत् । विद्युल्लसितमेघाभे डादिफांतार्णपत्रके ॥ ८५ ॥
brahmaṇe ṣaṭsahasraṃ tu haṃsārūḍhāya cārpayet | vidyullasitameghābhe ḍādiphāṃtārṇapatrake || 85 ||
Dapat ihandog ang anim na libo (6000) na pag-aalay/pagbigkas kay Brahmā, ang nakasakay sa hamsa (sisne). Gawin ito sa pamamagitan ng isang dahon na may nakaukit na mga pantig mula “ḍa” hanggang “pha”, na wari’y ulap na sinisinagan ng kidlat.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It prescribes a quantified devotional/ritual dedication (six thousand) directed to Brahmā, emphasizing precision in mantra-letters and ritual implements (a leaf-inscription), showing that disciplined sacred sound and correct procedure are themselves acts of reverence.
Bhakti here appears as focused offering (arpayet) to a deity-form (Brahmā as haṃsārūḍha), where devotion is expressed through faithful completion of a vowed count and careful preparation of the sacred medium (patraka with arranged syllables).
It highlights technical mantra-application and akṣara (letter/syllable) arrangement—skills aligned with Śikṣā (phonetics) and ritual procedure—showing how precise sound-units and prescribed counts are used in formal worship.