Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
बंधूकाभे स्वशक्त्या तु सहितापास्वगाय च । पाशांकुशसुधापात्रमोदकोल्लासपाणये ॥ ८२ ॥
baṃdhūkābhe svaśaktyā tu sahitāpāsvagāya ca | pāśāṃkuśasudhāpātramodakollāsapāṇaye || 82 ||
Pagpupugay sa Kanya na nagniningning na gaya ng bulaklak na bandhūka, kasama ang sariling banal na Śakti at may mga kasamang tagapaglingkod sa tabi. Ang Kanyang mga kamay ay kumikislap na may hawak na lubid na panggapos at pang-udyok, sisidlan ng amṛta, at ang matamis na modaka.
Narada (stotra-style description within the instructional dialogue)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It functions as a dhyāna/namaskāra verse: by meditating on the deity’s form, Śakti, and symbolic implements, the practitioner steadies the mind and aligns worship with scriptural iconography (murti-lakṣaṇa).
Bhakti here is expressed through reverent remembrance—seeing the Lord’s auspicious beauty and offering-minded symbols (like modaka and nectar) as part of loving, focused upāsanā.
It highlights applied ritual-knowledge used in mantra practice: dhyāna-lakṣaṇa (visualization markers) and correct identification of the deity’s attributes for pūjā and japa within technical instructional sections.