Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
अकथादित्रिकोणस्थं वराभयकरं गुरुम् । द्विनेत्रं द्विभुजं शुक्लगंधमाल्यानुलेपनम् ॥ ४९ ॥
akathāditrikoṇasthaṃ varābhayakaraṃ gurum | dvinetraṃ dvibhujaṃ śuklagaṃdhamālyānulepanam || 49 ||
Magnilay siya sa Guru na nakatindig sa tatsulok na diyagramang nagsisimula sa “Aka-thā”—may mudrā ng pagbibigay-biyaya at kawalang-takot; may dalawang mata at dalawang bisig; pinalalamutian ng puting halimuyak, mga garland, at mga pamahid.
Narada
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It prescribes a precise dhyāna (visualization) of the Guru within a specific triangular yantra, emphasizing purity (white adornments) and grace (boon-giving and fearlessness).
Bhakti is expressed through reverent, form-based meditation on the Guru—approaching the teacher as a sanctified presence who grants protection and blessings.
It reflects applied ritual-technical knowledge—mantra/letter-arrangement with a yantra (diagram) and prescribed dhyāna-lakṣaṇa (iconographic meditation details) used in structured worship.