Shloka 163
नारायणास्त्र-शमनं द्रौणि-प्रहारश्च
Pacification of the Nārāyaṇāstra and Drauni’s Renewed Assault
ध्वजयष्टिं परिक्लिश्य कामुक: कामिनीं यथा । महाराज! उस बाणसे अत्यन्त घायल हुआ शकुनि, जैसे कामी पुरुष कामिनीका आलिंगन करता है, उसी प्रकार ध्वज-यष्टि (ध्वजाके डंडे)-को दोनों भुजाओंसे पकड़कर रथके पिछले भागमें बैठ गया
dhvajayaṣṭiṃ parikliśya kāmukaḥ kāminīṃ yathā | mahārāja! us bāṇase atyanta ghāyala huā śakuni, jaise kāmī puruṣa kāminīkā āliṅgana kartā hai, usī prakāra dhvaja-yaṣṭi (dhvajāke daṇḍe)-ko donoṃ bhujāoṃse pakaṛakara rathake pichale bhāgameṃ baiṭh gayā |
Wika ni Sañjaya: O Hari, si Śakuni, na lubhang sugatan ng palasong iyon, ay kumapit sa tungkod ng watawat gamit ang dalawang bisig at lumugmok sa hulihang bahagi ng karwahe—gaya ng lalaking alipin ng pita na yumayakap sa babae. Ipinakikita ng pagtutulad na ito na sa kaguluhan ng digmaan, maging ang palalo ay nauuwi sa likás na pagkakapit upang makasandig, inilalantad ang kahinaan ng katawan at ang kapangitan ng asal na ibinubunyag ng karahasan.
संजय उवाच
Educational Q&A
The verse highlights human vulnerability in war: when struck by violence, even a calculating warrior like Śakuni instinctively clings to support. The deliberately coarse simile suggests that war strips away dignity and reveals the compulsions of the body and mind, inviting ethical reflection on the degrading nature of violence.
Sañjaya reports to Dhṛtarāṣṭra that Śakuni has been badly wounded by an arrow. In pain, he grips the chariot’s flagstaff with both arms and sits/collapses into the rear of the chariot for support.