HomeVaraha PuranaAdhyaya 94Shloka 43
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Varaha Purana 94.43 — Adhyaya 94, Shloka 43

The Birth of Mahiṣāsura and the Goddess’s Victory as Mahīṣamardinī

क्वचिद् युध्यति दैत्येन्द्रः क्वचिच्चैव पलायति । क्वचित् पुनर्मृधं चक्रे क्वचित् पुनरुपारमत् ॥

kvacid yudhyati daityendraḥ kvaciccaiva palāyati | kvacit punarmṛdhaṃ cakre kvacit punarupāramat ||

บางคราวจอมแห่งไทตยะเข้าต่อสู้ บางคราวก็หลบหนี; บางคราวกลับมารบอีก บางคราวก็หยุดและถอยไปอีกครั้ง

kvacitsometimes
kvacit:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootkvacit (अव्यय)
Formअव्यय; देश/काल-अनियत (somewhere/sometimes)
yudhyatifights
yudhyati:
Kriyā (क्रिया)
TypeVerb
Root√yudh (धातु)
Formलट् (Present), प्रथमपुरुष, एकवचन; आत्मनेपद
daitya-indraḥlord of the demons
daitya-indraḥ:
Karta (कर्ता)
TypeNoun
Rootdaitya (प्रातिपदिक) + indra (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; षष्ठी-तत्पुरुषः (daityānām indraḥ)
kvacitsometimes
kvacit:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootkvacit (अव्यय)
Formअव्यय; अनियत (sometimes)
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चय (and)
evaindeed
eva:
Emphasis (अवधारण)
TypeIndeclinable
Rooteva (अव्यय)
Formअव्यय; अवधारण (indeed/just)
palāyatiflees
palāyati:
Kriyā (क्रिया)
TypeVerb
Root√palāy (धातु)
Formलट् (Present), प्रथमपुरुष, एकवचन; परस्मैपद
kvacitsometimes
kvacit:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootkvacit (अव्यय)
Formअव्यय; अनियत (sometimes)
punaragain
punar:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootpunar (अव्यय)
Formअव्यय; पुनरावृत्ति (again)
mṛdhambattle
mṛdham:
Karma (कर्म)
TypeNoun
Rootmṛdha (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन; ‘मृध्/मृधम्’ = battle (object of ‘cakre’)
cakremade / engaged in
cakre:
Kriyā (क्रिया)
TypeVerb
Root√kṛ (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; आत्मनेपद
kvacitsometimes
kvacit:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootkvacit (अव्यय)
Formअव्यय; अनियत (sometimes)
punaragain
punar:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootpunar (अव्यय)
Formअव्यय; पुनरावृत्ति (again)
upāramatstopped / desisted
upāramat:
Kriyā (क्रिया)
TypeVerb
Rootupa-√ram (धातु)
Formलङ् (Imperfect), प्रथमपुरुष, एकवचन; परस्मैपद; उपसर्गः उप-; अर्थः ‘विरराम’ (desisted/stopped)

Varāha (default narrative frame)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"psychology of adharma","core_concept":"The daitya-lord’s oscillation (fight/flee/resume/desist) portrays fear-driven indecision when confronting dharmic power.","practical_application":"Cultivate steadiness (dhairya) and clarity; avoid vacillation in ethical action, especially under pressure."}

Subject Matter: ["Ethics","Cultural Narrative"]

Primary Rasa: bhayānaka

Secondary Rasa: vīra

Type: battlefield

Related Themes: Varāha Purāṇa 94.94.47 (pursuit triggers flight); Varāha Purāṇa 94.94.49 (prolonged cosmic battle)

Visual Art Cues: {"scene_description":"A sequence-like depiction of the daitya-king alternating between attacking and retreating, repeatedly re-entering and withdrawing from combat.","item_prompts":["multiple poses of the same demon (fight vs flee)","circular battlefield layout","goddess as steady center","weapons mid-air","dust clouds indicating retreat"],"kerala_mural_prompt":"Kerala mural: use repeated figure positions around the frame to show alternation; Devī centered, calm; demon shown in four stances echoing the verse’s repetition.","tanjore_prompt":"Tanjore: narrative panel with four small vignettes around a central Devī; gold accents on weapons; demon shown in alternating postures.","mysore_prompt":"Mysore: sequential storytelling with elegant borders; subtle facial shifts from bravado to fear.","pahari_prompt":"Pahari: comic-strip-like horizontal sequence across a landscape; demon’s repeated movement across hills/field; Devī constant."}

Audio Atmosphere: {"recitation_mood":"rhythmic, insistent, slightly ominous","suggested_raga":"Todi","pace":"medium (with marked cadence on 'kvacit')","voice_tone":"measured, percussive articulation to mirror repetition"}

C
Classical Literature
P
Purāṇic Narrative
R
Rhetorical Repetition
B
Battle Description

FAQs

The repeated kvacit construction is a recognizable rhetorical device in Sanskrit literature, aiding oral-style narration and emphasizing psychological instability in characterization.

No geographic location is mentioned.

The verse implicitly contrasts vacillation with steadiness, presenting inconsistency in conflict as a marker of moral and strategic weakness.

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