HomeVaraha PuranaAdhyaya 8Shloka 47
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Varaha Purana 8.47 — Adhyaya 8, Shloka 47

Dialogue on the Ethical Limits of Subsistence and the Five Great Sacrifices

Dharmavyādha, Mātaṅga, and Prasanna

भवे भवे यश्च ससर्ज कं ततो जगत् प्रसूतं सचराचरं त्विदम् । ततश्च रुद्रात्मवति प्रलीयतेऽन्वतो हरिर्विष्णुहरस्तथोच्यते ॥ ८.४७ ॥

bhave bhave yaś ca sasarja kaṃ tato jagat prasūtaṃ sacarācaraṃ tv idam | tataś ca rudrātmavati pralīyate’nvato harir viṣṇu-haras tathocyate || 8.47 ||

ในทุกวัฏจักรแห่งภพ พระองค์ทรงให้กำเนิดโลกนี้ทั้งสิ่งที่เคลื่อนไหวและไม่เคลื่อนไหว; ต่อมาทั้งหมดก็สลายเข้าสู่ตัตตวะที่มีพระรุทรเป็นแก่นสาร ดังนั้นจึงกล่าวถึงพระองค์ว่า หริ—วิษณุ—หร (หระ) ด้วย

bhavein (each) existence
bhave:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootbhava (प्रातिपदिक)
FormPuṃliṅga, Saptamī vibhakti (Locative, 7th), Ekavacana
bhavein every (cycle of) existence
bhave:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootbhava (प्रातिपदिक)
FormPuṃliṅga, Saptamī, Ekavacana; repetition for distributive sense
yaḥwho
yaḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
FormSarvanāma, Prathamā, Ekavacana, Puṃliṅga
caand
ca:
Samuccaya (समुच्चय/Conjunction)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya; conjunction
sasarjacreated
sasarja:
Kriyā (क्रिया/Verbal action)
TypeVerb
Root√sṛj (सृज्, धातु)
FormLaṅ lakāra (Imperfect/Past), Prathama puruṣa, Ekavacana; parasmaipada
kamwhom/which
kam:
Karma (कर्म/Object)
TypeNoun
Rootka (सर्वनाम-प्रातिपदिक)
FormSarvanāma, Dvitīyā, Ekavacana, Puṃliṅga; interrogative/indefinite used as relative-correlative (‘whom/which’)
tataḥthereupon / from that
tataḥ:
Kāla/Hetu-bodhaka (काल/हेतुबोधक/Adverbial)
TypeIndeclinable
Roottatas (अव्यय)
FormAvyaya; adverb ‘thereupon/from that’
jagatthe world
jagat:
Karta (कर्ता/Subject)
TypeNoun
Rootjagat (प्रातिपदिक)
FormNapुंसकलिङ्ग, Prathamā, Ekavacana
prasūtamproduced / brought forth
prasūtam:
Viśeṣaṇa (विशेषण/Qualifier)
TypeAdjective
Rootpra-√sū (सू, धातु) → prasūta (कृदन्त-प्रातिपदिक)
FormNapुंसकलिङ्ग, Prathamā, Ekavacana; past participle ‘born/produced’
sacarācaramtogether with the moving and unmoving
sacarācaram:
Viśeṣaṇa (विशेषण/Qualifier)
TypeNoun
Rootsa + carācara (प्रातिपदिक)
FormNapुंसकलिङ्ग, Prathamā, Ekavacana; tatpuruṣa with prefix sa- (‘together with moving and unmoving’)
tuindeed / and
tu:
Sambandha-bodhaka (सम्बन्धबोधक/Discourse particle)
TypeIndeclinable
Roottu (अव्यय)
FormAvyaya; particle
idamthis
idam:
Karta (कर्ता/Subject)
TypeNoun
Rootidam (सर्वनाम-प्रातिपदिक)
FormSarvanāma, Prathamā/Dvitīyā, Ekavacana, Napuṃsaka
tataḥthen
tataḥ:
Kāla-bodhaka (कालबोधक/Temporal)
TypeIndeclinable
Roottatas (अव्यय)
FormAvyaya; adverb ‘then/from that’
caand
ca:
Samuccaya (समुच्चय/Conjunction)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya; conjunction
rudrātmavatiin the Rudra-ensouled (state)
rudrātmavati:
Adhikaraṇa (अधिकरण/Location)
TypeAdjective
Rootrudra + ātmavat (प्रातिपदिक)
FormStrīliṅga (Feminine) or Puṃliṅga? here Saptamī, Ekavacana; agrees with implied ‘śakti/avasthā’ or ‘prakṛti’—‘in that which has Rudra as its self’
pralīyatedissolves / is absorbed
pralīyate:
Kriyā (क्रिया/Verbal action)
TypeVerb
Rootpra-√lī (ली, धातु)
FormLaṭ lakāra (Present), Prathama puruṣa, Ekavacana; ātmanepada
anuafter / following
anu:
Kāla-bodhaka (कालबोधक/Temporal)
TypeIndeclinable
Rootanu (अव्यय/उपसर्ग)
FormAvyaya; upasarga used adverbially with tataḥ (‘thereafter’)
ataḥtherefore
ataḥ:
Hetu-bodhaka (हेतुबोधक/Causal)
TypeIndeclinable
Rootatas (अव्यय)
FormAvyaya; causal/ablatival adverb ‘therefore/from this’
hariḥHari
hariḥ:
Karta (कर्ता/Subject)
TypeNoun
Roothari (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana
viṣṇu-haraḥViṣṇu-and-Hara (both)
viṣṇu-haraḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootviṣṇu + hara (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; dvandva (Viṣṇu and Hara) as a combined designation
tathāthus
tathā:
Prakāra (प्रकार/Mode)
TypeIndeclinable
Roottathā (अव्यय)
FormAvyaya; adverb ‘thus/so’
ucyateis called
ucyate:
Kriyā (क्रिया/Verbal action)
TypeVerb
Root√vac (वच्, धातु)
FormLaṭ lakāra (Present), Prathama puruṣa, Ekavacana; karmaṇi-prayoga (passive), ātmanepada form

Varāha (default dialogue framework; speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The verse presents a Purāṇic non-sectarian synthesis: the one Lord performs sṛṣṭi and also contains pralaya as Rudra-nature; names Hari–Viṣṇu–Hara indicate functional unity of cosmic offices.","yajna_varaha_imagery":"Creation as ‘emanation of offerings’ and dissolution as ‘return to the fire’; Rudra-ātmatā as the consuming phase of the same sacrificial cycle.","vedantic_connection":"One reality with multiple upādhis/roles (sṛṣṭi-sthiti-laya); supports a harmonizing reading where deities are names for the same Īśvara in different cosmic functions."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"theology/cosmology","core_concept":"The same supreme principle is spoken of as Hari/Viṣṇu/Hara because it creates and also withdraws the cosmos into the Rudra-mode at dissolution.","practical_application":"Reduce sectarian antagonism; worship the one Lord while honoring diverse divine names as contextual descriptions of function."}

Subject Matter: ["Cosmology","Theology (identity of deities in Purāṇic discourse)","Philosophy (creation and dissolution)"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Related Themes: Varāha Purāṇa passages that equate divine names across functions (general thematic parallel)

Visual Art Cues: {"scene_description":"A cosmic wheel of time: the universe emerging and dissolving, with a single divine figure whose aspects shift—preserver (Viṣṇu) and dissolver (Rudra)—yet remaining one.","item_prompts":["cosmic cycle wheel (kāla-cakra)","emanating worlds","dissolution into a fiery/ash-toned Rudra essence","inscriptions of names Hari–Viṣṇu–Hara"],"kerala_mural_prompt":"Kerala mural: one deity with subtle dual iconography—Vaiṣṇava ornaments with a Rudra aura during pralaya; circular kāla motif behind.","tanjore_prompt":"Tanjore: central unified deity; gold-leaf kāla-cakra; right side cool Vaikuṇṭha tones, left side pralaya flames/ash, harmonized by gold.","mysore_prompt":"Mysore: elegant syncretic icon—Vaiṣṇava crown with a faint third-eye glow; delicate depiction of creation/dissolution in side panels.","pahari_prompt":"Pahari: poetic split-scene—lush creation landscape transitioning to misty dissolution; one deity bridging both halves."}

Audio Atmosphere: {"recitation_mood":"grave, reflective","suggested_raga":"Bhairav","pace":"medium","voice_tone":"measured, authoritative"}

C
Classical Literature
P
Purāṇic Cosmology
V
Vaiṣṇavism
Ś
Śaiva–Vaiṣṇava Syncretic Motifs

FAQs

It reflects a common Purāṇic strategy of articulating cyclical cosmology (sṛṣṭi–pralaya) while also presenting a reconciliatory vocabulary for major divine names (Hari/Viṣṇu and Hara/Rudra), useful for understanding sectarian interaction in early medieval Sanskrit literature.

No specific geographic or sacred-site identification appears in this verse; the content is primarily cosmological and theological.

Rather than a direct moral injunction, the verse conveys a philosophical principle: the cosmos arises and dissolves cyclically, and divine agency is described through multiple names, encouraging a conceptual view of unity across different theological designations.

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