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Varaha Purana 213.90 — Adhyaya 213, Shloka 90

The Glory of Gokarṇeśvara: Nandin’s Austerities and Śiva’s Boons

अभिप्रायं च सर्वेषां जानामि द्विजसत्तम ॥ अनुगुह्य वरैस्तैश्च तत्रैवान्तरधीयत ॥

abhiprāyaṃ ca sarveṣāṃ jānāmi dvijasattama || anuguhya varais taiś ca tatraivāntaradhīyata ||

ดูก่อนพราหมณ์ผู้ประเสริฐ เรารู้เจตนาของทุกผู้คน ครั้นทรงประทานพรเหล่านั้นด้วยพระกรุณาแล้ว ก็อันตรธานหายไป ณ ที่นั้นเอง

abhiprāyamintention, thought
abhiprāyam:
Karma (कर्म/Object)
TypeNoun
Rootabhiprāya (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
caand
ca:
Samuccaya (समुच्चय/Connector)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चय-अव्यय)
sarveṣāmof all
sarveṣām:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootsarva (प्रातिपदिक)
FormMasculine/Neuter (पुं/नपुंसक), Genitive (6th/षष्ठी), Plural (बहुवचन)
jānāmiI know
jānāmi:
Kriya (क्रिया/Finite verb)
TypeVerb
Rootjñā (धातु)
FormPresent (लट्), 1st person (उत्तमपुरुष), Singular (एकवचन), Parasmaipada (परस्मैपद)
dvija-sattamaO best of the twice-born
dvija-sattama:
Sambodhana (सम्बोधन/Address)
TypeNoun
Rootdvija (प्रातिपदिक) + sat-tama (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Vocative (8th/सम्बोधन), Singular (एकवचन); कर्मधारयः (सत्तमः द्विजः)
anuguhyahaving favored
anuguhya:
Kriya (क्रिया/Non-finite verbal action)
TypeVerb
Rootanugrah (धातु: anugṛh)
FormAbsolutive/Gerund (क्त्वान्त/ल्यप्), ‘having favored/shown grace’
varaiḥwith boons
varaiḥ:
Karana (करण/Instrument; means)
TypeNoun
Rootvara (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (3rd/तृतीया), Plural (बहुवचन)
taiḥwith those
taiḥ:
Visheshana (विशेषण/Qualifier of varaiḥ)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormMasculine/Neuter (पुं/नपुंसक), Instrumental (3rd/तृतीया), Plural (बहुवचन)
caand
ca:
Samuccaya (समुच्चय/Connector)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चय-अव्यय)
tatrathere
tatra:
Adhikarana (अधिकरण/Location)
TypeIndeclinable
Roottatra (अव्यय)
FormAdverb (देशवाचक-अव्यय)
evaindeed, just
eva:
Sambandha (सम्बन्ध/Emphasis)
TypeIndeclinable
Rooteva (अव्यय)
FormEmphatic particle (अवधारण-निपात)
antaradhīyatadisappeared
antaradhīyata:
Kriya (क्रिया/Finite verb)
TypeVerb
Rootantar-dhā (धातु)
FormImperfect (लङ्), 3rd person (प्रथमपुरुष), Singular (एकवचन), Ātmanepada (आत्मनेपद); passive-like in sense ‘disappeared’

Śaṅkara / Maheśvara (first hemistich), then narrator (second hemistich)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"moral psychology / īśvara-jñāna","core_concept":"The Lord knows inner intentions (abhisandhi); grace responds not only to acts but to motives.","practical_application":"Purify saṅkalpa (intention) behind worship, gifts, and service; cultivate sincerity to become fit for anugraha."}

Subject Matter: ["Boons (Vara)","Narrative Closure","Moral Psychology (intentions)"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: mythic epiphany site

Related Themes: Varāha Purāṇa 213.213.7-8 (favor and intimacy preceding the boon); Varāha Purāṇa 214.1.0 (post-disappearance transformation of Nandī)

Visual Art Cues: {"scene_description":"Maheśvara declares knowledge of all intentions; after granting boons, he vanishes on the spot, leaving devotees in awe.","item_prompts":["boon-bestowing gesture","subtle dissolving/vanishing effect around the deity","devotees looking upward/around in astonishment","aura or light-cloud indicating antaradhāna"],"kerala_mural_prompt":"Kerala mural: depict Śaṅkara fading into a luminous mandala; devotees and gaṇas in expressive astonishment; restrained palette with bright aura highlights.","tanjore_prompt":"Tanjore: gold aura expanding as the figure disappears; embossed radiance; devotees with folded hands; emphasis on the miraculous withdrawal.","mysore_prompt":"Mysore: fine gradation to show vanishing; delicate smoke/light motifs; calm omniscient expression before disappearance.","pahari_prompt":"Pahari: poetic ‘disappearance’ as mist among trees/pillars; devotees’ faces turned, searching; soft pastel sky wash."}

Audio Atmosphere: {"recitation_mood":"aweful-closure","suggested_raga":"Darbari Kanada","pace":"medium","voice_tone":"grave, resonant, slightly hushed at ‘antaradhīyata’"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Poetics
M
Mythic Motifs

FAQs

It uses standard Purāṇic motifs—omniscience of intentions, boon-bestowal, and disappearance—to mark divine narrative resolution, aiding comparative motif indexing across texts.

Only “there itself” (tatraiva) is stated; the broader section associates the setting with the Gokarṇa Māhātmya landscape.

The verse underscores accountability of intention (abhiprāya) alongside outward action, implying that inner purpose is ethically salient.

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