Varaha Purana 208.64 — Adhyaya 208, Shloka 64
Narration of the Exemplum of the Pativratā
Devoted Wife
ततोऽहं पतितो राजंस्तव कार्यानुशासनः ॥ अनया सदृशी नारी त्रैलोक्ये नैव विद्यते ॥
tato 'haṃ patito rājaṃs tava kāryānuśāsanaḥ || anayā sadṛśī nārī trailokye naiva vidyate ||
“เพราะเหตุนั้น โอ้พระราชา เราจึงตกลงมาตามบัญชาการแห่งกิจของท่าน; ในไตรโลกย่อมไม่มีสตรีใดเสมอเหมือนนาง”
Sūrya (Vivasvān)
Varaha Avatara Context: {"is_varaha_focus":false}
Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor"}
Mathura Mandala: {"is_mathura_related":false}
Dharma Shastra: {"has_dharma_rule":true,"topic":"rajaniti","instruction_summary":"Royal ‘kārya-anuśāsana’ (direction in affairs) is weighty: a king’s command can redirect even great powers; thus it must be dharmically grounded.","karmic_consequence":"Dharmic commands bring order and cooperation; adharmic or rash commands rebound as fear, disorder, and loss of legitimacy."}
Vrata Mahatmya: {"has_vrata":false}
Cosmic Boar Symbolism: {"has_symbolism":false}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"dharma and authority","core_concept":"True authority is not mere power but alignment with dharma; when aligned, it elicits willing cooperation and reveals excellence (guṇa) in others.","practical_application":"Use leadership to protect and uplift; issue directives with accountability; praise virtue to reinforce dharmic culture."}
Subject Matter: ["Ethics","Kingship","Praise-Poetics (Stuti) within Narrative"]
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: royal/terrestrial setting
Related Themes: Varāha Purāṇa 208.69-73 (king’s role and Sūrya’s praise)
Visual Art Cues: {"scene_description":"Sūrya addresses the king directly, acknowledging the king’s directive as causal; the scene carries a sense of cosmic hierarchy bending toward dharmic kingship.","item_prompts":["Sūrya pointing to earth/ground as sign of ‘fallen’ state","king holding scepter/daṇḍa symbolizing governance","three-tier cosmic backdrop hinting at triloka","subtle aura lines showing obedience/constraint"],"kerala_mural_prompt":"Kerala mural: emphasize daṇḍa and mudrā of instruction; Sūrya’s halo restrained; layered background bands for triloka.","tanjore_prompt":"Tanjore: king’s regalia with gold emboss; Sūrya’s halo and ornaments; triloka suggested via ornate arch tiers.","mysore_prompt":"Mysore: balanced composition, dignified gestures; soft glow around Sūrya; king’s calm authority.","pahari_prompt":"Pahari: narrative clarity; stylized triloka as three horizontal color bands; figures in profile with expressive hands."}
Audio Atmosphere: {"recitation_mood":"dignified, declarative praise","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"steady, respectful emphasis on ‘राजंस्तव कार्यानुशासनः’"}
FAQs
It demonstrates how Purāṇic narratives blend political hierarchy (address to the king) with moral exemplarity (praise of a woman’s character).
No place-name is given; 'three worlds' (trailokya) is cosmological rather than geographic.
The verse elevates exemplary conduct as socially recognizable and worthy of public acknowledgment, linking personal virtue with public discourse.
Ask anything about this verse
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