Previous Verse
Next Verse

Varaha Purana 200.65: Adhyaya 200, Shloka 65

Description of the Forms of Infernal Torments

Naraka Yātanās

यावद्भिः कर्मभिस्तैस्तैस्तेषु निर्याणवेश्मसु ॥ छिन्नभिन्नविशस्तानां रुधिरेण समन्ततः ॥

Sanskrit recitationVaraha Purana 200.65

yāvadbhiḥ karmabhis tais tais teṣu niryāṇaveśmasu || chinnabhinnaviśastānāṁ rudhireṇa samantataḥ

In those ‘houses of execution’ (places of torment), corresponding to the particular deeds performed, the blood of those who are cut, broken, and slaughtered spreads all around.

यावद्भिःby as many (as)
यावद्भिः:
Karaṇa (करणम् / Instrument)
TypeAdjective
Rootयावत् (सर्वनाम/परिमाणवाचक-प्रातिपदिक)
Formत्रिलिङ्ग, तृतीया बहुवचन; परिमाणवाचक ‘by as many/as much as’
कर्मभिःby deeds
कर्मभिः:
Karaṇa (करणम् / Instrument)
TypeNoun
Rootकर्मन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया बहुवचन
तैःby those
तैः:
Karaṇa (करणम् / Instrument)
TypeAdjective
Rootतद् (सर्वनाम-प्रातिपदिक)
Formत्रिलिङ्ग, तृतीया बहुवचन; demonstrative used adjectivally
तैःby those (very)
तैः:
Karaṇa (करणम् / Instrument)
TypeAdjective
Rootतद् (सर्वनाम-प्रातिपदिक)
Formत्रिलिङ्ग, तृतीया बहुवचन; पुनरुक्ति for emphasis
तेषुin those
तेषु:
Adhikaraṇa (अधिकरणम् / Location)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formत्रिलिङ्ग, सप्तमी बहुवचन; locative ‘in those’
निर्याणवेश्मसुin the death-abodes
निर्याणवेश्मसु:
Adhikaraṇa (अधिकरणम् / Location)
TypeNoun
Rootनिर्याण + वेश्मन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी बहुवचन; तत्पुरुष ‘in houses/abodes of departure (death)’
छिन्नभिन्नविशस्तानाम्of the cut, split, and mangled (ones)
छिन्नभिन्नविशस्तानाम्:
Sambandha (सम्बन्ध / Genitive)
TypeAdjective
Rootछिन्न (कृदन्त; √छिद्) + भिन्न (कृदन्त; √भिद्) + विशस्त (कृदन्त; वि-√शस्/√शंस्/√शस्)
Formपुंलिङ्ग, षष्ठी बहुवचन; द्वन्द्व-समास (enumerative) used as adjective: ‘of those cut, split, and mangled’
रुधिरेणwith blood
रुधिरेण:
Karaṇa (करणम् / Instrument)
TypeNoun
Rootरुधिर (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया एकवचन
समन्ततःon all sides
समन्ततः:
Adhikaraṇa (अधिकरणम् / Spatial extent)
TypeIndeclinable
Rootसमन्ततः (अव्यय)
Formपरितोऽर्थक अव्यय (adverb: all around)

Varāha (default framework)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"narakas","instruction_summary":"Deeds determine specific hellish ‘houses of execution’ where beings are cut, broken, and slaughtered in accordance with their karma.","karmic_consequence":"Grave sins mature as tailored torments in naraka; dharmic living and expiation prevent descent into such punitive realms."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"moral causality with retributive specificity","core_concept":"Karma is not generic; it is viśeṣa—particular acts generate correspondingly particular experiences, depicted as calibrated punishments.","practical_application":"Use vivid consequence-imagery as a restraint (saṃyama); adopt confession, restitution, and corrective conduct before patterns harden into destiny."}

Subject Matter: ["Ethics","Afterlife imagery","Karma and consequence"]

Primary Rasa: bhayanaka

Secondary Rasa: bibhatsa

Type: otherworldly punitive space

Related Themes: Varāha Purāṇa 200.72 (soundscape and environmental spread of torment)

Visual Art Cues: {"scene_description":"A hell-scene: an execution-house with instruments of cutting and breaking; bodies wounded; blood pooling and splashing around, conveying karmic precision and horror.","item_prompts":["dark hall/‘execution house’ architecture","blades, hooks, clubs","figures being cut/broken","blood pooling around","shadowy wardens (yamadūtas)","claustrophobic lighting"],"kerala_mural_prompt":"Kerala mural: dramatic reds and blacks; stylized but intense violence; yamadūtas with fierce eyes; rhythmic composition emphasizing repeated punishments.","tanjore_prompt":"Tanjore: less naturalistic gore; iconic infernal court with embossed elements; gold used sparingly for Yama’s regalia if included; strong contrast between divine order and infernal suffering.","mysore_prompt":"Mysore: controlled depiction—suggest blood with restrained palette; detailed instruments; theatrical chiaroscuro.","pahari_prompt":"Pahari: miniature hell vignette with crisp outlines; patterned floor with red pools; compact narrative density."}

Audio Atmosphere: {"recitation_mood":"terrifying, urgent","suggested_raga":"Bhairav","pace":"slow","voice_tone":"low, intense, with heavy pauses on violent compounds"}

V
Varāha Purāṇa
N
Naraka Descriptions
P
Purāṇic Eschatology
S
Sanskrit Narrative Imagery

FAQs

Graphic naraka imagery is a recurrent Purāṇic technique for moral instruction; it also provides comparative material for the history of South Asian afterlife conceptions.

No earthly geography is named; the verse describes a punitive otherworldly setting.

Actions are depicted as yielding proportionate consequences; the verse functions as a deterrent by vividly portraying the results of harmful conduct.

Ask anything about this verse

Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.

Not sure where to start?

A free Google sign-in keeps your chat saved across web and the app.

Read Varaha Purana in the Vedapath app

Scan the QR code to open this directly in the app, with word-by-word meanings, Sanskrit recitation where available, and more.

Continue reading in the Vedapath app

Open in App