Previous Verse
Next Verse

Varaha Purana 174.15 — Adhyaya 174, Shloka 15

The Sanctifying Power of River Confluences: Release from the Preta-State and the Rite of Śravaṇa Dvādaśī with Vāmana Worship

अप्रकाममिदं भाति भास्करोदयणं प्रति ॥ अहं पर्युषितो नाम परः सूचिमुखस्ततः

aprakāmam idaṃ bhāti bhāskarodayanaṃ prati || ahaṃ paryuṣito nāma paraḥ sūcīmukhas tataḥ

“เมื่อเราหันเผชิญต่อการอุทัยของพระอาทิตย์ สิ่งนี้ปรากฏแก่เราอย่างไร้ความผ่อนคลาย ข้าพเจ้ามีนามว่า ปริยุษิตะ; ส่วนอีกผู้หนึ่งมีนามว่า สูจีมุขะ”

a-prakāmamunwillingly, not as desired
a-prakāmam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roota (नञ्) + prakāma (प्रातिपदिक)
Formअव्यय; नञ्-पूर्वक क्रियाविशेषण (adverb) ‘not as desired/without wish’
idamthis
idam:
Karta (कर्ता)
TypeNoun
Rootidam (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, एकवचन; demonstrative pronoun
bhātiappears, shines
bhāti:
Kriyā (क्रिया)
TypeVerb
Root√bhā (धातु)
Formलट् (Present), परस्मैपद, प्रथमपुरुष, एकवचन
bhāskara-udayanamsunrise
bhāskara-udayanam:
Karma (कर्म)
TypeNoun
Rootbhāskara (प्रातिपदिक) + udayana (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; षष्ठी-तत्पुरुषः—‘भास्करस्य उदयनम्’ (sunrise)
pratitowards, with respect to
prati:
Sambandha (सम्बन्ध/preposition)
TypeIndeclinable
Rootprati (अव्यय)
Formअव्यय; उपसर्गसदृश/पूर्वसर्ग; ‘towards/with regard to’
ahamI
aham:
Karta (कर्ता)
TypeNoun
Rootasmad (प्रातिपदिक)
Formसर्वनाम, प्रथमा, एकवचन
paryuṣitaḥ(I am) one who has stayed long/overnight
paryuṣitaḥ:
Karta (कर्ता)
TypeVerb
Rootpari√vas (धातु)
Formक्त (past passive participle), पुंलिङ्ग, प्रथमा, एकवचन; ‘having stayed overnight/long’
nāmaby name / indeed
nāma:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootnāma (अव्यय)
Formअव्यय; ख्यात्यर्थक/नामनिर्देशक निपात (particle: ‘by name/indeed’)
paraḥthe other (one)
paraḥ:
Karta (कर्ता)
TypeNoun
Rootpara (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; ‘another/next one’
sūcī-mukhaḥSūcīmukha (needle-faced)
sūcī-mukhaḥ:
Karta (कर्ता)
TypeNoun
Rootsūcī (प्रातिपदिक) + mukha (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; कर्मधारयः—‘सूच्याः इव मुखं यस्य’ (needle-faced)
tataḥthereafter, then
tataḥ:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roottataḥ (अव्यय)
Formअव्यय; तस्मात्/ततः = ‘thereafter/from that’ (adverb)

Pretas (continued; self-identification)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer","key_question":"What is the significance of these preta-names (Paryuṣita, Sūcīmukha) and how do they relate to their condition at sunrise?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Naming in the preta-state is tied to karmic markers; the verse sets up the doctrine that identity-signs (nāma) arise from action and its residue.","karmic_consequence":"Actions imprint the subtle identity and determine post-mortem designation and experience; purification and dharma reshape future identity and destiny."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"nāma-rūpa and karma-saṃskāra","core_concept":"Names and forms in subtle states are not arbitrary; they crystallize from karmic tendencies and experienced conditions.","practical_application":"Guard speech and action (karma) knowing they shape one’s nāma-rūpa trajectory; pursue sattvic habits and rites that purify saṃskāras."}

Subject Matter: ["Cosmology","Ethics"]

Primary Rasa: adbhuta

Secondary Rasa: karuṇa

Type: threshold time-space (sandhyā-like)

Related Themes: Varāha Purāṇa: immediate continuation listing additional preta-names and brāhmaṇa’s question on their origin

Visual Art Cues: {"scene_description":"At sunrise, two pretas step forward and identify themselves by name—Paryuṣita and Sūcīmukha—while the sun’s disk rises, emphasizing their unrelieved condition.","item_prompts":["rising sun disk","two foreground pretas indicating themselves","one with needle-like mouth motif for Sūcīmukha (symbolic)","brāhmaṇa in background observing","long shadows of dawn"],"kerala_mural_prompt":"Kerala mural: bold sunrise; symbolic facial feature for Sūcīmukha; rhythmic composition with two speakers foregrounded; earthy reds and blacks.","tanjore_prompt":"Tanjore: gold sun halo; ornate but restrained depiction of two pretas; embossed name-scroll motifs near figures.","mysore_prompt":"Mysore: refined dawn light; subtle symbolic exaggeration of mouth for Sūcīmukha; calm brāhmaṇa silhouette.","pahari_prompt":"Pahari: crisp sunrise over a simple ridge; two figures in front with clear pointing gestures; narrative clarity with soft colors."}

Audio Atmosphere: {"recitation_mood":"narrative and slightly uncanny","suggested_raga":"Bhairav","pace":"medium","voice_tone":"measured, descriptive, grave"}

C
Classical Literature
A
Afterlife Motifs
S
Sanskrit Onomastics
P
Purāṇic Narrative

FAQs

It introduces named preta figures, a narrative strategy that personalizes moral consequence and supports episodic teaching within the travel frame.

No terrestrial location is named; the reference point is the Sun’s rising (bhāskarodayana), used as an orienting motif.

By foregrounding discomfort and naming, the verse sets up accountability and causality—individual conditions are presented as traceable and discussable rather than random.

Ask anything about this verse

A free Google sign-in keeps your chat saved across web and the app.

Read Varaha Purana in the Vedapath app

Scan the QR code to open this directly in the app, with audio, word-by-word meanings, and more.

Continue reading in the Vedapath app

Open in App