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Varaha Purana 146.67 — Adhyaya 146, Shloka 67

The Greatness of Hṛṣīkeśa at Rurukṣetra: The Origin Narrative of Ruru and the Sacred Site

बहिः स्थितं च मां दृष्ट्वा प्रणनाम कृताञ्जलिः ॥ गद्गदस्वरसंयुक्ता अश्रुक्लिन्नविलोचना ॥

bahiḥ sthitaṁ ca māṁ dṛṣṭvā praṇanāma kṛtāñjaliḥ || gadgadasvarasaṁyuktā aśruklinnavilocanā ||

ครั้นเห็นเรายืนอยู่ภายนอก นางก็นอบน้อมลงด้วยประณาม มือประนม เสียงสั่นเครือด้วยความปีติ และดวงตาชุ่มด้วยน้ำตา

बहिःoutside
बहिः:
Adhikarana (अधिकरण/Place)
TypeIndeclinable
Rootबहिः (अव्यय)
Formदेशवाचक-अव्यय (adverb of place)
स्थितम्standing
स्थितम्:
Karma (कर्म/Object qualifier)
TypeVerb
Rootस्था (धातु)
Formक्त (past participle), नपुंसकलिङ्ग, द्वितीया, एकवचन; ‘standing’ (qualifying माम्)
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (conjunction)
माम्me
माम्:
Karma (कर्म/Object)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formउत्तमपुरुष-सर्वनाम, द्वितीया, एकवचन
दृष्ट्वाhaving seen
दृष्ट्वा:
Purvakala-kriya (पूर्वकालक्रिया/Gerundial action)
TypeVerb
Rootदृश् (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभाव; ‘having seen’
प्रणनामshe bowed down
प्रणनाम:
Kriya (क्रिया/Verb)
TypeVerb
Rootप्र-नम् (धातु)
Formलिट् (Perfect), परस्मैपद, प्रथमपुरुष, एकवचन
कृत-अञ्जलिःwith folded hands
कृत-अञ्जलिः:
Karta (कर्ता/Subject qualifier)
TypeAdjective
Rootकृत (कृदन्त) + अञ्जलि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; उपपद-तत्पुरुषः—कृतः अञ्जलिः यस्याः (with hands joined)
गद्गद-स्वर-संयुक्ताwith a choked voice
गद्गद-स्वर-संयुक्ता:
Karta (कर्ता/Subject qualifier)
TypeAdjective
Rootगद्गद (प्रातिपदिक) + स्वर (प्रातिपदिक) + संयुक्त (कृदन्त)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; तत्पुरुषः—गद्गदः स्वरः तेन संयुक्ता (having a faltering voice)
अश्रु-क्लिन्न-विलोचनाwhose eyes were wet with tears
अश्रु-क्लिन्न-विलोचना:
Karta (कर्ता/Subject qualifier)
TypeAdjective
Rootअश्रु (प्रातिपदिक) + क्लिन्न (कृदन्त) + विलोचन (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; बहुव्रीहिः—अश्रुभिः क्लिन्नानि विलोचनानि यस्याः (whose eyes are wet with tears)

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Bhu Devi beholds Varāha standing outside and offers praṇāma with añjali; the interaction is darśana followed by devotional surrender."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer","bhu_devi_state":"overwhelmed, relieved, devotional; tearful with choked voice"}

Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"General Vaiṣṇava bhakti-darśana affect (tears, gadgada) parallels later Kṛṣṇa-bhakti aesthetics, but no explicit Mathurā reference."}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Model of proper devotional etiquette: upon darśana of the Lord, one should bow with joined palms and humility.","karmic_consequence":"Such reverent surrender is portrayed as the fitting response that draws grace and leads toward boons/teaching; irreverence implies continued distance from divine favor (implied)."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Bhakti-lakṣaṇa (marks of devotion)","core_concept":"Authentic devotion expresses itself somatically—añjali, repeated bowing, voice choked, tears—signs of softened ego and receptive heart.","practical_application":"When encountering the sacred (deity, guru, tīrtha), adopt humility and embodied reverence; let emotion refine into steady devotion rather than mere sentiment."}

Subject Matter: ["Ethics","Devotional Culture","Dialogue"]

Primary Rasa: bhakti

Secondary Rasa: karuṇa

Type: threshold/liminal space

Related Themes: 146.73.0 (she opens eyes and sees); 146.76.0 (Lord responds with boon-offer)

Visual Art Cues: {"scene_description":"Vasudhā, eyes wet with tears, stands or kneels with folded hands, bowing to Varāha who is visible outside; the moment is intimate and emotionally charged.","item_prompts":["Vasudhā in añjali","tears on cheeks, moist eyes","Varāha standing ‘outside’ a doorway/threshold","soft halo/light","subtle trembling posture (gadgada)"],"kerala_mural_prompt":"Kerala mural: expressive eyes with visible tears, stylized añjali; Varāha calm and compassionate; warm earthy palette to echo Vasudhā.","tanjore_prompt":"Tanjore: gold-leaf halo and ornaments; emphasize devotional posture with rich textiles; tears rendered as small pearls of light.","mysore_prompt":"Mysore: nuanced facial emotion, delicate tear-lines; balanced composition with architectural threshold framing Varāha.","pahari_prompt":"Pahari: tender, lyrical scene; minimal architecture, focus on gesture and emotion; soft pastel background with a doorway/arch motif."}

Audio Atmosphere: {"recitation_mood":"devotional, tender","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"warm, slightly tremulous to mirror gadgada"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
C
Cultural Heritage

FAQs

It records culturally significant embodied practices (prostration, añjali) and affective expression, valuable for studying ritual gesture and emotion in Sanskrit narrative traditions.

No location is mentioned.

Humility and gratitude are modeled through respectful conduct and controlled, sincere expression.

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