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Varaha Purana 126.91 — Adhyaya 126, Shloka 91

The Greatness of Kubjāmraka: Raibhya’s Boon and the Teaching on the Sacred Tīrthas

राजपुत्र्या वचः श्रुत्वा राजपुत्रस्ततोऽब्रवीत् ॥ वाग्भिः स कटुकाभिश्च तर्जयन्निव तां धरे ॥

rājaputryā vacaḥ śrutvā rājaputras tato 'bravīt || vāgbhiḥ sa kaṭukābhiś ca tarjayann iva tāṁ dhare ||

ครั้นได้ฟังถ้อยคำของพระธิดาแล้ว พระราชกุมารจึงกล่าวต่อ—ประหนึ่งตำหนิแผ่นดิน ด้วยวาจาเผ็ดร้อนและคมคาย

rāja-putryāby the king’s daughter
rāja-putryā:
Karaṇa/Hetu (करण/हेतु)
TypeNoun
Rootrājan (प्रातिपदिक) + putrī (प्रातिपदिक)
FormTṛtīyā vibhakti, Eka-vacana, Strī-liṅga; tatpuruṣa: 'rājñaḥ putryā'
vacaḥwords/speech
vacaḥ:
Karma (कर्म)
TypeNoun
Rootvacas (प्रातिपदिक)
FormDvitīyā vibhakti, Eka-vacana, Napuṁsaka-liṅga
śrutvāhaving heard
śrutvā:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootśru (धातु)
FormAbsolutive/Gerund (क्त्वा-प्रत्यय), avyaya-kṛdanta; 'having heard'
rāja-putraḥthe king’s son
rāja-putraḥ:
Karta (कर्ता)
TypeNoun
Rootrājan (प्रातिपदिक) + putra (प्रातिपदिक)
FormPrathamā vibhakti, Eka-vacana, Puṁ-liṅga; tatpuruṣa: 'rājñaḥ putraḥ'
tataḥthen
tataḥ:
Kāla/Anantarya (काल/अनन्तर्य)
TypeIndeclinable
Roottataḥ (अव्यय)
FormAvyaya; adverb ('then/from thereupon')
abravītsaid/spoke
abravīt:
Kriyā (क्रिया)
TypeVerb
Rootbrū (धातु)
FormLuṅ-lakāra (aorist), Prathama-puruṣa (3rd), Eka-vacana; Parasmaipada
vāk-bhiḥwith words
vāk-bhiḥ:
Karaṇa (करण)
TypeNoun
Rootvāc (प्रातिपदिक)
FormTṛtīyā vibhakti, Bahu-vacana, Strī-liṅga; instrumental plural
saḥhe
saḥ:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPrathamā vibhakti, Eka-vacana, Puṁ-liṅga; demonstrative pronoun referring to rājaputra
kaṭukābhiḥharsh (ones)
kaṭukābhiḥ:
Karaṇa (करण)
TypeAdjective
Rootkaṭuka (प्रातिपदिक)
FormTṛtīyā vibhakti, Bahu-vacana, Strī-liṅga; agrees with 'vākbhiḥ' (understood: kaṭukābhiḥ vākbhiḥ)
caand
ca:
Sambandha (समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya; conjunction
tarjayanrebuking/threatening
tarjayan:
Karta (कर्ता)
TypeVerb
Roottarj (धातु)
FormVartamāna-kṛdanta (present active participle/शतृ), Puṁ-liṅga, Prathamā, Eka-vacana; agrees with 'saḥ'
ivaas if
iva:
Upamā-dyotaka (उपमा)
TypeIndeclinable
Rootiva (अव्यय)
FormAvyaya; simile particle
tāmher
tām:
Karma (कर्म)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormDvitīyā vibhakti, Eka-vacana, Strī-liṅga; refers to rājaputrī
dharebear/hold (you)!
dhare:
Kriyā (क्रिया)
TypeVerb
Rootdhṛ (धातु)
FormLoṭ-lakāra (imperative), Madhyama-puruṣa (2nd), Eka-vacana; Parasmaipada; used as direct address: 'hold/bear!'

Narrator (default; speaker not explicitly Varāha/Pṛthivī in this fragment)

Varaha Avatara Context: {"is_varaha_focus":false,"earth_interaction":"Earth is addressed/reproached verbally (as ‘dhare’), but Varāha is not the speaking agent in this fragment."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer","bhu_devi_state":"reproached / burdened","key_question":"Why is the Earth being blamed—what is the ethical basis for harsh speech toward a sustaining, patient entity?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"rajaniti","instruction_summary":"Courtly speech ethics: harsh, cutting words used in admonition are portrayed as a rhetorical act of censure, raising the question of when reprimand is legitimate.","karmic_consequence":"Unjustified harsh speech accrues pāpa through vāg-doṣa; justified reprimand (aligned with truth and welfare) is treated as corrective, not abusive."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics of speech (vāg-dharma)","core_concept":"Words can function as punishment or instruction; dharma scrutinizes intention, truthfulness, and proportionality in reprimand.","practical_application":"Before censuring, test speech by satya (truth), hita (benefit), and mṛdutā (gentleness); avoid ‘cutting’ words unless truly necessary for correction."}

Subject Matter: ["Ethics","Heritage Sites"]

Primary Rasa: raudra

Secondary Rasa: bībhatsa

Related Themes: Varāha Purāṇa 126 narrative dialogue segment involving a prince/princess and ‘dhara’

Visual Art Cues: {"scene_description":"A palace or court setting: a prince turns toward the personified Earth (Dharā) and speaks with sharp, reproachful gestures; the princess stands nearby, having spoken first.","item_prompts":["prince with stern gesture","princess listening/concerned","personified Earth (Dharā) as a woman or as the ground responding","court pillars/royal setting","speech-scroll or expressive mouth/hand mudrā"],"kerala_mural_prompt":"Kerala mural: stylized court architecture; bold facial expressions; Dharā personified with earthy tones; prince’s hand raised in admonition.","tanjore_prompt":"Tanjore: ornate court frame; gold detailing on royal attire; Dharā as a dignified goddess-like figure receiving rebuke; dramatic but formal composition.","mysore_prompt":"Mysore: refined courtly realism; emphasis on expression and posture; restrained palette highlighting emotional tension.","pahari_prompt":"Pahari: intimate palace balcony scene; delicate lines; expressive dialogue through gestures; Dharā suggested as a serene yet pained figure."}

Audio Atmosphere: {"recitation_mood":"dramatic and admonitory","suggested_raga":"Todi","pace":"medium","voice_tone":"sharp, narrative"}

C
Classical Literature
P
Purāṇic Narrative
C
Courtly Discourse
D
Dialogue Studies

FAQs

It provides a snapshot of Purāṇic narrative technique: character speech is framed by evaluative description, useful for literary and discourse analysis.

No geographic location is named; “dhare” is a vocative for Earth rather than a place-name.

It implicitly contrasts measured counsel with harsh speech, highlighting tone and restraint as ethical concerns.

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