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Varaha Purana 126.3 — Adhyaya 126, Shloka 3

The Greatness of Kubjāmraka: Raibhya’s Boon and the Teaching on the Sacred Tīrthas

ततो बहुतिथे काले व्यतीते सति धीमताम् ॥ ततः कदाचिद्भूपालो राजपुत्रमुपस्थितम् ॥

tato bahutithe kāle vyatīte sati dhīmatām | tataḥ kadācid bhūpālo rājaputram upasthitam ||

ต่อมาเมื่อกาลเวลายาวนานล่วงไปท่ามกลางเหล่าปราชญ์ ครั้นกาลหนึ่งก็มีพระราชาเสด็จปรากฏ พร้อมด้วยพระราชโอรสที่มาประทับอยู่ใกล้ (หรือเข้ามาเฝ้า)

tataḥthen / thereafter
tataḥ:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roottataḥ (अव्यय)
FormAvyaya (अव्यय), adverb (क्रियाविशेषण)
bahu-tithein (a time of) many lunar days / after many days
bahu-tithe:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootbahu (प्रातिपदिक) + tithi (प्रातिपदिक)
FormPuṃliṅga (पुंलिङ्ग) / Napuṃsaka possible by context; Saptamī (सप्तमी) Ekavacana (एकवचन); samāsa: tatpuruṣa (तत्पुरुष); used as adjective to kāle
kāleat the time
kāle:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootkāla (प्रातिपदिक)
FormPuṃliṅga (पुंलिङ्ग), Saptamī (सप्तमी) Ekavacana (एकवचन)
vyatītehaving passed / elapsed
vyatīte:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootvi-ati-√i (धातु) / vyatīta (कृदन्त)
FormKta-participle (क्त, past passive participle), Saptamī (सप्तमी) Ekavacana (एकवचन), Puṃliṅga/Napuṃsaka agreeing with kāle; locative absolute component
satibeing (when it was)
sati:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootas (धातु) / sat (कृदन्त)
FormŚatṛ-present participle (शतृ), Saptamī (सप्तमी) Ekavacana (एकवचन), Puṃliṅga/Napuṃsaka; locative absolute marker
dhīmatāmof the wise
dhīmatām:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootdhīmat (प्रातिपदिक)
FormPuṃliṅga (पुंलिङ्ग), Ṣaṣṭhī (षष्ठी) Bahuvacana (बहुवचन)
tataḥthen
tataḥ:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roottataḥ (अव्यय)
FormAvyaya (अव्यय), adverb (क्रियाविशेषण)
kadācitonce / at some time
kadācit:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootkadācit (अव्यय)
FormAvyaya (अव्यय), adverb (कालवाचक)
bhūpālaḥthe king (protector of the earth)
bhūpālaḥ:
Karta (कर्ता)
TypeNoun
Rootbhū-pāla (प्रातिपदिक)
FormPuṃliṅga (पुंलिङ्ग), Prathamā (प्रथमा) Ekavacana (एकवचन); samāsa: tatpuruṣa (तत्पुरुष)
rāja-putramthe prince (king's son)
rāja-putram:
Karma (कर्म)
TypeNoun
Rootrājan (प्रातिपदिक) + putra (प्रातिपदिक)
FormPuṃliṅga (पुंलिङ्ग), Dvitīyā (द्वितीया) Ekavacana (एकवचन); samāsa: tatpuruṣa (तत्पुरुष)
upasthitamarrived / present
upasthitam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootupa-√sthā (धातु) / upasthita (कृदन्त)
FormKta-participle (क्त), Puṃliṅga Dvitīyā Ekavacana agreeing with rāja-putram

Narrator

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":true,"topic":"rajaniti","instruction_summary":"The narrative frames legitimate kingship through lineage and the prince’s formal approach/attendance, implying orderly succession and courtly protocol.","karmic_consequence":"Upholding righteous succession and disciplined attendance sustains stability and fame; neglect of royal duty leads to disorder and loss of merit (kīrti-kṣaya)."}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"itihāsa-purāṇa narrative ethics","core_concept":"Time (kāla) ripens events; dharma is carried through institutions (rājya, kula, śiṣya/putra).","practical_application":"Treat inherited responsibilities as sacred trusts; approach teachers/elders with discipline and readiness to learn."}

Subject Matter: ["History","Heritage Sites"]

Primary Rasa: śānta

Secondary Rasa: vīra

Type: narrative frame (royal court/kingdom implied)

Related Themes: Varāha Purāṇa: tīrtha-kathā sections commonly open with dynastic/narrator transitions (adhyāya-sandhi pattern)

Visual Art Cues: {"scene_description":"A calm courtly scene: after long years, a king is shown seated or arriving, with a prince respectfully approaching/standing nearby as the narrative turns to a new episode.","item_prompts":["king with crown and royal parasol","prince with folded hands (añjali)","court pillars and attendants","scroll or palm-leaf manuscript to signal narration","twilight or seasonal change to show passage of time"],"kerala_mural_prompt":"Kerala mural style, flat yet ornate palace interior, warm earthy palette, king seated on simhāsana, prince in añjali, decorative borders and jewelry emphasis.","tanjore_prompt":"Tanjore style, central king figure with gold-leaf ornaments, prince slightly smaller at side, rich textiles, halo-like arch behind throne.","mysore_prompt":"Mysore painting style, delicate linework, subdued elegance, court scene with refined facial expressions, detailed garments.","pahari_prompt":"Pahari miniature style, architectural palace backdrop, lyrical spacing, king and prince in profile, soft hills/sky hinting time’s passage."}

Audio Atmosphere: {"recitation_mood":"measured narrative transition","suggested_raga":"Śrī (or Kalyāṇi for dignified narration)","pace":"madhyama","voice_tone":"steady, courtly, storyteller-like"}

C
Classical Literature
P
Puranic Narrative
K
Kingship Traditions

FAQs

It introduces a royal narrative episode, reflecting how Purāṇas embed ethical and site-based instruction within stories of kingship and lineage.

No specific place-name appears in this line; it likely continues the Kubjāmraka context established in the chapter opening.

Implicitly, it frames exemplary figures (royal agents) as participants in the unfolding of dharma and cultural memory.

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