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Varaha Purana 125.3 — Adhyaya 125, Shloka 3

The Cycle of Māyā

Illusory Causation and Perceptual Reversal

श्रुत्वा त्वेतानि कर्माणि त्वन्मुखोक्तानि माधव ॥ जातास्मि निर्मला देव शशाङ्क इव शारदः ॥

śrutvā tv etāni karmāṇi tvan-mukhoktāni mādhava | jātāsmi nirmalā deva śaśāṅka iva śāradaḥ ||

ครั้นได้สดับกิจการเหล่านี้ซึ่งตรัสจากพระโอษฐ์ของพระองค์เอง ข้าแต่พระมาธวะ ข้าพเจ้าก็บริสุทธิ์ผ่องใส ข้าแต่พระผู้เป็นเจ้า—ดุจจันทร์ในฤดูสารท

श्रुत्वाhaving heard
श्रुत्वा:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootश्रु (धातु)
Formक्त्वान्त अव्ययकृदन्त (Gerund/Absolutive), पूर्वकालिक क्रिया; धातु: श्रु
तुbut/indeed
तु:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात/अव्यय (particle), विरोध/अनुक्रम सूचक
एतानिthese
एतानि:
Karma (कर्म)
TypeAdjective
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative), बहुवचन; विशेषण
कर्माणिdeeds/actions
कर्माणि:
Karma (कर्म)
TypeNoun
Rootकर्मन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative), बहुवचन
त्वत्-मुख-उक्तानिspoken from your mouth
त्वत्-मुख-उक्तानि:
Karma (कर्म)
TypeAdjective
Rootत्वद् (सर्वनाम-प्रातिपदिक) + मुख (प्रातिपदिक) + उक्त (कृदन्त-प्रातिपदिक, वच्/वद् धातु)
Formसमास: षष्ठी-तत्पुरुष (त्वन्मुख = तव मुखम्) + कर्मधारय/तत्पुरुष (मुखोक्त = मुखेन उक्त); नपुंसकलिङ्ग, द्वितीया, बहुवचन; विशेषण (कर्माणि)
माधवO Mādhava
माधव:
Sambodhana (सम्बोधन)
TypeNoun
Rootमाधव (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन (Vocative/सम्बोधन), एकवचन
जाताbecome/born (as)
जाता:
Karta (कर्ता)
TypeVerb
Rootजा (धातु) + त (क्त)
Formक्त-प्रत्ययान्त कृदन्त (past participle), स्त्रीलिङ्ग, प्रथमा, एकवचन; ‘अस्मि’ इत्यनेन सह परिप्रयोग (periphrastic perfect sense)
अस्मिI am
अस्मि:
Karta (कर्ता)
TypeVerb
Rootअस् (धातु)
Formलट् (Present), प्रथमपुरुष? (actually उत्तमपुरुष/1st person), एकवचन; धातु: अस्
निर्मलाpure/spotless
निर्मला:
Karta (कर्ता)
TypeAdjective
Rootनिर्मल (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; विधेय-विशेषण (predicate adjective)
देवO god
देव:
Sambodhana (सम्बोधन)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन, एकवचन
शशाङ्कthe moon
शशाङ्क:
Upamāna (उपमान)
TypeNoun
Rootशशाङ्क (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
इवlike/as
इव:
Upamā-dyotaka (उपमा-द्योतक)
TypeIndeclinable
Rootइव (अव्यय)
Formउपमा-प्रदर्शक अव्यय (comparative particle)
शारदःautumnal (of autumn)
शारदः:
Upamāna (उपमान)
TypeAdjective
Rootशारद (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; विशेषण (शशाङ्क)

Pṛthivī (Vasundharā)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Earth declares purification attained by hearing Mādhava’s words—teacher-disciple intimacy between Lord and Earth."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"devotee","bhu_devi_state":"purified (nirmalā), serene, relieved","key_question":"None; it is a testimony of transformation through hearing."}

Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"Invocation of ‘Mādhava’ is a Vaiṣṇava epithet later prominent in Kṛṣṇa devotion, but no Mathurā-specific linkage in this verse."}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false,"promised_fruit":"Purification through śravaṇa is expressed, but not framed as a formal vrata."}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The Earth’s purification ‘like the autumn moon’ suggests the Lord’s teaching as removing the haze of māyā—anticipating the ‘māyā-cakra’ theme; Varāha as the one who lifts Earth physically and also clarifies her consciousness.","yajna_varaha_imagery":"Implicit: śuddhi parallels ritual purification; the moon simile evokes cooling clarity akin to sattva arising from contact with divine speech. No explicit yajña-anatomy mapping.","vedantic_connection":"Śravaṇa of the Lord’s words produces antaḥkaraṇa-śuddhi (inner purification), a prerequisite for jñāna/bhakti maturation; the simile indicates sattvic clarity overcoming tamas/rajas."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"transformative power of divine speech (śravaṇa)","core_concept":"Words from the Lord’s mouth (tvad-mukhokta) purify the listener; true teaching is itself a purifier, not merely information.","practical_application":"Prioritize attentive listening to śāstra and guru-vākya with devotion; cultivate inner clarity (nirmalatā) as the sign of assimilation."}

Subject Matter: ["Philosophy","Purification (śuddhi)","Dialogue Literature"]

Primary Rasa: śānta

Secondary Rasa: bhakti

Type: poetic-natural (seasonal imagery)

Related Themes: 125.2.0 (teachings gladden the mind); 125.1.0 (māyā-cakra transition—purification prepares for it); 124.124.5 (non-perishing promised from seasonal regimen)

Visual Art Cues: {"scene_description":"Bhu Devī, now radiant and serene, compares her purified state to the clear autumn moon while facing Mādhava as teacher; the background suggests a cloudless autumn night glow.","item_prompts":["Bhu Devī with luminous complexion","autumn full moon (śārada-śaśāṅka) in clear sky","cool white-blue palette accents","Mādhava/Nārāyaṇa seated, blessing gesture","subtle dissipating mist/clouds symbolizing impurity removed"],"kerala_mural_prompt":"Kerala mural: strong outlines, expressive faces, Bhu Devī glowing, large stylized full moon behind, ornamental cloud motifs fading away, calm blessing posture of the deity.","tanjore_prompt":"Tanjore: gold-leaf halo around deity and a raised, shining moon disc; rich textiles; Bhu Devī’s purified radiance emphasized with bright highlights.","mysore_prompt":"Mysore: soft chiaroscuro with moonlit ambience, delicate jewelry, serene expressions, minimalistic cloudless sky backdrop.","pahari_prompt":"Pahari: poetic moonlit scene with cool tones, delicate landscape, Bhu Devī’s face turned upward toward the moon and then toward Mādhava, intimate devotional mood."}

Audio Atmosphere: {"recitation_mood":"cool, serene, contemplative devotion","suggested_raga":"Kedar or Shankara (calm, luminous)","pace":"slow, allowing the moon simile to land","voice_tone":"gentle, softened, inwardly joyful"}

C
Classical Literature
P
Purāṇa Studies
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It exemplifies the Purāṇic dialogue style where instruction is framed as a transformative hearing (śravaṇa), a common didactic technique in early medieval Sanskrit literature.

No specific geographic location is named in this verse; the imagery is cosmological/seasonal (the autumn moon).

The verse highlights the formative value of attentive listening to instruction and the ideal of inner purification through learning.

Ask anything about this verse

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